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The case for not sanitising fairy tales

colechristensen
52 replies
21h52m

Theory: A large proportion of adult mental illness is caused by an environment mismatch between adulthood and childhood. Fairy tales with disturbing themes were a good way to safely introduce the real world to children. Insulating children from reality leads to them learning the wrong things about the world both on a conscious intellectual level and a very low level as in cortisol response to stress. You grow up and then have to live in a world that is completely alien compared to your childhood and your brain just doesn't work right because it wasn't trained to handle things while it was malleable enough to learn them.

tptacek
30 replies
21h43m

If that were the case, you would expect the consequents of mental illness (most obviously suicide, but also violent crime) to have increased since 1900, around the time that sanitized fairy tales were popularized; and: they have not.

andrewflnr
8 replies
21h7m

I don't think that's a sound prediction. There are lots of kinds of mental illness, and at least in my view the ones in question are mostly depression, anxiety and the like. Not exactly famous for producing violent outbursts, and a lot of people get treated, which cuts down on suicide. Besides, I don't know if I would trust historical stats for suicide, but whatever.

Also the GP comment was arguably more about sanitized childhood in general, which is a more gradual trend than starting at the 1900s exactly.

tptacek
7 replies
21h3m

The reason you look at suicide and violent crime is that they're clear indicators. Diagnosis of mental illness is not: definitions, diagnostic techniques, and access to diagnoses have changed radically over the last 100 years. It's similar (though less rigorous, for several reasons) to homicide being the gold standard crime statistic.

I'm not making a claim that mental health doesn't matter if it doesn't result in suicide or incarceration. I'm saying: those are two sets of numbers you can find going back to the intervention (the sanitization of fairy tales) and trace since then.

The story those numbers tells doesn't match the just-so story the comment provides. Maybe there's more going on than those numbers represents! But I think you'll have a tough time supporting that argument with facts. For instance: the claim was made across the thread that suicide levels were artificially suppressed in 1900 because of religious norms, which works against the story; moreover: you can see in the actual charts what suicide tracks with (it's not a smooth line).

lmm
4 replies
20h51m

I'm not making a claim that mental health doesn't matter if it doesn't result in suicide or incarceration. I'm saying: those are two sets of numbers you can find going back to the intervention (the sanitization of fairy tales) and trace since then.

That's like the drunk searching for his keys under the streetlamp because that's where the light is! Yes, those are the numbers we have, but do they reliably measure the things we care about?

(Are you denying that the millennial mental health crisis exists at all? The fact that it doesn't show up in your preferred statistics is completely independent of any discussion of what the causes may be)

tptacek
3 replies
19h55m

If you want to make the concession that there's no evidence in either direction for the hypothesis that roots this thread, I'm fine with that.

lmm
2 replies
19h25m

That's already backing off from your last post. Are you claiming that your statistics mean there is no significant downturn in mental health, or not?

tptacek
1 replies
19h9m

No, that doesn't hold. I'm not addressing that at all. For the previous commenter to be correct, the trend should start with the intervention, which occurred in/around 1900.

andrewflnr
0 replies
18h19m

I've already hinted at why that's not a very strong prediction either. Sanitizing fairy tales are only one part of a broader trend toward sheltering children in general, which, to my knowledge at least, did not start at exactly the same time. The changes in mental health would track with the intensity of the broader trend, with a time lag of around 20 years. Yes, these are both very difficult to measure. Truth is hard.

jackpirate
0 replies
20h49m

I think you're wrong.

Suicide does not have stable reporting rates. It was very stigmatized in the past, and so investigators would notoriously report suicides as "unknown cause of death" if they could.

Violent crime, on the other hand, is much more correlated with things like poverty than with mental health.

I think it's quite obviously the case that there are no clear indicators about what "mental health" looked like 100 years ago and there. Any projections into the past will involve a lot of extrapolation and have all sorts of biases.

andrewflnr
0 replies
20h11m

But if the clear indicators are only tenuously linked to the question you're interested in, then you may just have to accept that you can't answer the question, neither proving it nor resoundingly falsifying it as you attempted.

epx
7 replies
21h19m

They have and a lot.

colechristensen
6 replies
21h12m

Source your data.

For example, the lowest suicide rate in the US in over a century (and ever, as long as records were kept) happened in 2000.

tptacek
4 replies
19h54m

That is, obviously, not a graph of suicide trending upwards as a result of an intervention that occurred at roughly 1900.

llm_trw
3 replies
19h5m

And it is also not a chicken. What does that have to do with suicides increasing in the last 25 years after falling for 50.

tptacek
2 replies
18h43m

I don't know, but it sure won't have anything to do with sanitizing fairy tales, which is what we're talking about here.

llm_trw
1 replies
18h38m

You should probably read the reply above mine.

Let me quote it for you in case tree based navigation is too difficult:

For example, the lowest suicide rate in the US in over a century (and ever, as long as records were kept) happened in 2000.

If you'd like more context, which I understand can be difficult to remember after reading two 20 word posts, I'd be happy to provide it.

hifromwork
0 replies
10h19m

Your snark is unnecessary, unjustified, and frankly probably breaking this site rules. The original claim was:

would expect the consequents of mental illness (most obviously suicide, but also violent crime) to have increased since 1900, around the time that sanitized fairy tales were popularized

i.e. "if fairy tales are the cause of suicide, it should increase consistently since 1900". This is clearly not the case, as proven by your own data. "Things we were doing in 1950-1980 worked and things we did later don't" is a very different discussion and not the one you were having. It seems to me that it is you who misunderstood the argument and are aggressive to your opponent for absolutely no reason.

tuatoru
2 replies
21h10m

My wife was for a time on the board of a local hospital.

I recall her recounting a report from the head of the mental health unit saying that there was an increasing number of upper-middle-class young women with "princess syndrome" in the unit: they have been brought up to believe life is a Disney fairy tale, and cannot cope when they get out into the world. So they end up in the mental health unit.

This is maybe ten years back?

The Disney Corporation has a lot to answer for.

tptacek
1 replies
21h1m

"Princess Syndrome" is not a medical diagnosis, and I encourage people to go look up the origins of the term.

tuatoru
0 replies
13h11m

No, of course it isn't. Her retelling wasn't verbatim, it was heavily edited for confidentiality, nor is my recollection 100%. It's the gist.

colechristensen
2 replies
21h25m

I doubt that fairy tails in particular could be isolated from the whole culture of insulating children, and it was never, as far as I can tell, a sudden change. You can watch kids movies from the 80s and see a significant difference in the things which children were being exposed to compared to new releases. The change is gradual and has been ongoing for a long time.

tptacek
0 replies
21h0m

What changes are you referring to, since the 1980s? We can pick some of them, call them the next intervention you want to propose as responsible for increases in adverse events, and then look if the epidemiological data lines up with it. I bet, though: the data won't work out for you.

actionfromafar
0 replies
20h41m

On the other hand, kids these days can pretty easily get access to stories which were extremely hard to find way back when.

llm_trw
1 replies
20h22m

Since 1900 we have invented painless dentistry.

As someone who got to experience a minor filling done without anesthetic when I was 9 I'd say that alone improved mental health by an order of magnitude.

entropicdrifter
0 replies
20h6m

I had a full-blown pulpotomy (baby tooth root canal) done with no novocaine injection. I was terrified of the needle.

I'm prone to bouts of depression but that's probably got more to do with reading too much news and chronically overextending myself.

lazyasciiart
1 replies
21h14m

More importantly, you would expect not to see high rates of childhood mental illness.

giantg2
0 replies
20h56m

Seems to me like the blame is with the schools and parents - bringing kids up as helpless victims (can't fight back and the schools don't do much to the bullies), the over use of screens, and surveillance culture never letting them start over (stuff follows you forever now).

akira2501
1 replies
21h15m

you would expect the consequents of mental illness (most obviously suicide, but also violent crime) to have increased since 1900

As long as literally everything else remained the same, or in changing, had zero implications on the mental health of the population.

magicalist
0 replies
19h47m

Seems like a better objection to your GP's post? Or do the covariate "kids these days are coddled" vibes it's based on cancel each other out.

NoMoreNicksLeft
0 replies
21h22m

they have not.

That's a bold claim. Especially given your starting year, where religious attitudes predominated, and suicide was considered a mortal sin. It seems that quite possibly suicides might have increased since 1900, if only because it has become an organic disease instead of an express ticket to an eternity of torment. Do you have any numbers to back this up?

For that matter, we've also noticed from time to time that there are upswings and downswings in suicide (usually explained by economics), and cultural differences. There's plenty of room for for differences in suicide rates over that time period, and it wouldn't really surprised anyone.

techostritch
6 replies
21h10m

So in this theory, people with rough childhoods have less mental illness and those with pleasant childhoods have greater mental illness?

RoyalHenOil
2 replies
20h55m

No, trauma is harmful. The whole idea here is to reduce the risk of trauma, not cause trauma.

Think of it like this: Growing up in an excessively sanitized environment leaves children's immune systems weak and makes them susceptible to serious diseases later.

The solution: Give children inoculations, let them play outside, etc., to exercise their immune systems in safe conditions.

Not the solution: Give children serious diseases.

entropicdrifter
0 replies
19h59m

This, this and this. And just like how kids who spend too much time in sanitized indoor environments are more likely to develop allergies and other autoimmune disorders, kids who are kept psychologically sheltered to too large a degree are more likely to develop anxiety disorders as adults.

When "getting everything perfect" is normal to you and not a refreshing exception, you feel like you're a screwup most of the time even when you haven't done anything wrong besides being too hard on yourself.

WorkerBee28474
0 replies
18h58m

Not the solution: Give children serious diseases.

Actually giving serious diseases (well, infestations) is being investigated as a solution:

https://en.wikipedia.org/wiki/Helminthic_therapy

smegsicle
0 replies
20h56m

if by rough childhood you mean being safely exposed to rough concepts under the supervision of caring and mentally stable parents, and by pleasant you mean anything else, then i think you got it

kergonath
0 replies
20h48m

You’re exaggerating, there are degrees between “being exposed to disturbing concepts” (which does not imply abuse) and “rough childhood” (which does, or at least mistreatment).

You could frame it the other way: “are people with sheltered childhood more likely to suffer mental illness”? And my experience would suggest that the answer is “yes”.

Iulioh
0 replies
21h0m

...these are extremes and i bet someone with a "rough childhood" will have greater mental illness chances because...material conditions but it depends how you define it.

But i think not begin totally sheltered from every evil of the world will probably lead to a more well adjusted adult

pc86
3 replies
21h46m

I would have expected most mental illness to be the result of a chemical imbalance and/or trauma (either physical or psychological). Also, this presupposes that by the time you are old enough to experience the world your brain isn't "malleable enough" to handle it which seems unlikely unless you're really sheltered from the vast majority of the world until your late 20s.

colechristensen
1 replies
21h28m

chemical imbalance

One, this is a mostly unsupported phrase used by therapists which may be comforting to patients but isn't actually backed by neuroscience. The best that can be said is that drugs which affect the brain help some people with diagnosed mental illness. The chemical mechanisms for most mental illnesses are not known or barely hinted at.

Also, this presupposes that by the time you are old enough to experience the world your brain isn't "malleable enough" to handle it which seems unlikely unless you're really sheltered from the vast majority of the world until your late 20s.

This seems to be parroting the "your brain doesn't finish developing until 25 (or whatever)" which has gone around quite a distance as a meme but has no scientific basis.

There are many development windows for many different things, some known better than others. A 20 year old does not have the same language acquisition skills as a 3 year old. My eyes work a little funny because I was myopic at birth and some control systems didn't develop between birth and 6 months and that window is just permanently closed. Most things remain at least a little malleable and some much more than others but this does not mean that there aren't developmental periods at a young age which aren't very important. Two, many chemical feedback systems are trained in early life. The "chemical imbalance" could be exactly this, childhood experiences not matching adult ones and as a result brain chemistry responds poorly to adult stimuli.

rexpop
0 replies
21h43m

OP is describing a form of psychological trauma.

hobs
2 replies
21h43m

For most children of history I dont believe this was a real problem, my father for instance was a farm hand herding goats and picking olives at 5 years old - there was no time for an idyllic childhood.

colechristensen
1 replies
21h21m

"Childhood" is a fairly modern invention.

herding goats and picking olives at 5 years old - there was no time for an idyllic childhood

I bet you could charge wealthy people $50,000 tuition to have their 5 year olds herd goats and pick olives if you had a good marketing team. You could lean heavily on calling it an idyllic childhood experience, make sure to overuse the word "rustic".

robohoe
0 replies
21h14m

"farmhouse chic"

ajuc
2 replies
21h18m

A lot of fairy tales are just there to scare children into obedience. Probably most of them.

avereveard
1 replies
20h35m

It's not really obedience, they convey that fire burns without the need to have it proven by trial.

Stereotypes keep children alive until higher cognition kicks in and that learn consequences

Now I do agree some of the stereotypes are antiquated, biased, and need a 21st century refresh, but there's more there than obedience.

ajuc
0 replies
19h54m

It's not teaching "fire burns", it's teaching "whatever authority tells you - you should do, even if you really want to investigate for yourself, because you'll die".

Which I call obedience. And yeah - it's useful for parents because when your kid runs towards a busy street you don't have time to explain the reasoning and persuade it to go back. You need it to listen to you immediately. So it has some value. But let's not sugercoat it in psychological theories. It's simply obedience.

readthenotes1
1 replies
21h49m

Alternately, it's parents who confuse comfort and security with love and do their best to shield the children from consequences of the children's actions.

moomoo11
0 replies
21h46m

Maybe those parents are also victims of fairytale indoctrination

anthk
0 replies
8h47m

Nah, pollution did far more against mental health. And drugs.

MisterBastahrd
0 replies
21h22m

The most common cause of death during the American Civil War was disease. Not bullets, not bayonet wounds, not cannon fire.

Disease.

Imagine being the guy who discovered that washing your hands and tools meant less maternal mortality immediately after childbirth and being shunned because people had real understanding of infections or microbiology.

When you think about those fairy tales, you cannot do it properly without thinking about the context in which they were written. Children were face to face with mortality every day. Polio, measles, typhoid, cholera, dysentery, diarrhea, plagues, minor wounds that got infected, etc.

Kids today live in a world where if you make it to adulthood, you have a very strong likelihood that you will survive until you are no longer able to be productive.

Your mental illness "theory" makes absolutely zero sense, because virtually all mental illnesses outside of degenerative conditions present themselves during childhood. I've had ADHD since I was a child. I didn't get diagnosed until well into adulthood, because my family never sought treatment. I didn't get this "mental illness" because of a lack of proper fairy tales. I was born with it.

taberiand
34 replies
20h39m

I'm frequently surprised by what is considered by other parents as too scary for their children to watch or read, when it seems to me the whole point of scary stories is to provide a safe place for children to feel scared and learn what it takes overcome fear.

That's not to say that anything goes, just that I think parents need to be willing to let their children be appropriately afraid and comfort them and teach them courage. Avoiding any scary themes or dangerous ideas, instead of providing safe ways to engage with these things, I think leads to children growing into adults who will have a much harder time recognising and dealing with the real dangers of life.

epolanski
21 replies
7h38m

In Italy is now illegal to send your kids to school alone before they turn 14, it's now legally child abandonment. Even if the school is few hundreds meters from your house.

I went to school alone since my second day of elementary school, in Japan kids cross Tokyo streets at the same age.

I have given math lessons for two decades and during that timespan kids have changed a lot due to how much parents changed. It went quickly from "if he doesn't listen you slap him hard" to "how dares the teacher give him a bad grade".

I have brought that topic with some people my age on a programming board and all fellow devs surprisingly told me they agreed, that it is child abandonment and streets are dangerous.

I feel like such over protection makes for young adults that are absolutely unprepared for the harshness of real life.

graemep
7 replies
7h20m

That is insane!

I had taken my kids out of school by that age, but they would go to places alone much younger than that - depending on where we lived, the time of day etc.

_zoltan_
6 replies
3h55m

if you don't mind me asking, why take them out? did you homeschool them?

epolanski
5 replies
3h8m

Will never understand homeschooling, social (and even survival) skills are the most important to learn when young imho.

polymatter
2 replies
2h16m

And they can be learnt outside of school just as well. I'll never understand how readily people are to accept schooling.

bluGill
1 replies
1h57m

I hear this all the time, but so far every time I've met a home schooled kid they show that lack of socialization. I'm not saying it can't be done, but it is so rare that I doubt any home schooled kid is.

Sure they will have a lot of kids, but that is not the same. Do they interact with kids that are different? Poor, rich? Different religion? Different political background? (note that many private school suffer from the same problem - generally not as bad as home schools, but it is easy to find private schools that don't really socialize kids well either.)

alt227
0 replies
1h3m

I fully agree with you, however....

Do they interact with kids that are different? Poor, rich? Different religion? Different political background?

This is often the main reason that parents take them out of school in the first place.

adolph
1 replies
1h55m

Schools seem like a poor place to learn social skills unless one plans to live out Lord of the Flies later in life.

epolanski
0 replies
1h2m

Life is tough and the dynamics of the book are common in real life.

t0bia_s
4 replies
7h10m

Isn't Italy a country where "mama hotels" come from? There was some statistic showing that average age of man leaving parents house is 39 years or so.

I was going to alone to elementary school since second day as well. I had 2 younger siblings, it was not possible for my parents to take me at school at that time. Nowadays, having siblings is not common when US fertility rate is 1.6 and in EU 1.4 per woman.

https://ourworldindata.org/grapher/children-per-woman-un?tab...

arlort
3 replies
6h40m

39 feels too high, but yeah, it's one of the worst, and depending on the statistic the worst outright, in Europe.

In 2022 the average was 30 years https://ec.europa.eu/eurostat/web/products-eurostat-news/w/d...

A significant factor in that, beyond cultural ones, is the fact that it's quite expensive to buy/rent, especially given the high youth unemployment

mensetmanusman
2 replies
3h41m

These unemployed folks could literally be building their own homes with the right institutional policies and support.

epolanski
1 replies
1h4m

On which money?

mensetmanusman
0 replies
56m

The power of debt and helping an economy grow faster than the debt growth rate. A healthy society has a good roi, Italy is dying as is.

tda
2 replies
4h27m

In Italy is now illegal to send your kids to school alone before they turn 14, it's now legally child abandonment

I find your claim very hard to believe, can you back this up? I did some searching and could not find anything to back up your claim.

novok
0 replies
1h3m

And now the fertility rate of Italy will go down even further, as less will bother to have children.

ska
0 replies
4m

and streets are dangerous.

In most places I've lived, streets are objectively less dangerous than they were a few decades ago in all aspects except traffic density, which is a mixed bag. In places with poor urban design, I can see the argument that street (crossing, particular) is high risk for say 6-8 year olds. In places with better design, the idea that a 8 year old, let alone a 14 year old, shouldn't be able to navigate a reasonable distance by themselves seems pretty crazy.

ordu
0 replies
3h55m

> streets are dangerous.

I have a vague hypothesis that people's mind have a detector of a danger, and mind adjust sensitivity of the detector to get some specific average value of danger. The safer our streets, the more sensitive detector becomes, so the perceived level of danger remains the same.

noneeeed
0 replies
3h10m

That's wild. 13 is so old. In the UK it's completely normal for most secondary kids (11+) to travel to school on their own, and many younger kids will go to primary on their own.

We live about 10 minutes from school. My eldest is 9 and in the penultimate year of primary school. He walks home and I meet him half way (mostly as an excuse to go for a walk), he's fine. From next year he'll probably go by himself half the time.

The only concerns I have are around crossing the road. And even with that I'm aware that my worries are overblown, we've taught him how to cross carefully. He will be fine.

I can understand if you live in a rough neighbourhood, or where the roads are really terrible for crossing, but making it a blanket rule is ridiculous.

mensetmanusman
0 replies
3h49m

You are experiencing the power of television/media for sowing division. The more you watch, the more misinformed about the mean you are :)

_zoltan_
0 replies
3h56m

In Switzerland kids are expected to go to school alone from primary school, but I've seen kids to the Kindergarten alone as well (5-6 yo). It's normal.

ip26
4 replies
14h42m

Nobody anchors with age. One parent will advocate for allowing children to watch Scarface, without mentioning their child is 17. Another parent will explain The Neverending Story is far too scary, without mentioning their child just turned 4 yesterday.

Much like parents who trumpet how children should be free to roam and explore without meddling from adults, but never clarify whether they are talking about middle schoolers or toddlers.

ben_w
1 replies
4h9m

You've just reminded me that I learned about Texas Chainsaw Massacre when I was 8 or 9 from a girl in my class describing the ending.

I've never seen it and have no intention ever to do so.

cess11
0 replies
2h34m

I'm not going to try and convince you to watch it, but would like to remark that it is not at all as visceral and graphic as it is commonly made out to be.

It's more about disturbing atmosphere than gore. Personally I find it interesting in part because it's pretty much based on (early seventies) news reports about crime and serial killers, trying to capture that kind of storytelling.

The horror comes more from socially prevalent suspicions about working class, rural and mentally disabled people than on the nose depictions of violence. A supposedly frightening revolt of the subaltern, of sorts.

I find much of what I see in the news much, much nastier than anything this movie has to offer.

pnutjam
0 replies
6h30m

I control movies, but books are much more open. If a child can read it; they should be allowed. The process of ingesting a novel is so different from a video. You're experiences and maturity put limits on how you perceive things you read. Books open your mind to new ideas and that should be encouraged even if the ideas are more mature.

bunderbunder
0 replies
2h43m

Nobody anchors to temperament, either.

I don't think twice about letting my 7 year old watch shows that I steer my 9 year old away from. The 7 year old, a thrill seeker, enjoys things that would give my 9 year old nightmares for a week.

Arisaka1
3 replies
12h4m

Is it odd that that's how I used to see video games, as a safe environment to learn grit, how to reason about systems and choosing better actions, where "better" is defined as "actions that lead you to beat the game" or "achieve a better score"?

pavlov
1 replies
10h5m

> 'how to reason about systems and choosing better actions, where "better" is defined as "actions that lead you to beat the game" or "achieve a better score"'

This is a double-edged sword because in the real world, actually interesting systems don't have this kind of closed feedback loop.

Training your mind for this can lead to an inside-the-box mindset where you need to find the score which would provide the external validation of your actions. For a lot of people, money provides that reassuring score, and then money becomes the primary value in one's life replacing any deeper intrinsic motivation.

ben_w
0 replies
4h2m

Indeed; "Money is a way to keep track of the score" was explicitly stated in some of the entrepreneurial presentations I went to at the end of my degree, the first time I tried self employment.

chinchilla2020
0 replies
2h29m

I did too.

No longer.

Video games tend to have a pre-built path. The real world has minimal feedback loops and millions of bad choices.

pflenker
0 replies
1h5m

when it seems to me the whole point of scary stories is to provide a safe place for children to feel scared and learn what it takes overcome fear.

That’s not the point of the original scary fairy tales. The point was to keep kids from danger by scaring them so much that they don’t expose themselves to said danger. The downside of this style of child raising , of course, is that kids are unable to realistically assess the danger and sometimes don’t shed their fears when they get older.

lynx23
0 replies
12h43m

I can relate to this, however, I come from a very different angle. I was born visually impaired, and went blind at the age of 7. If I were to name the single most important thing that was holding me back, then it was the protectiveness of my father and my mother*. Counterintuitive, but if anything is really bad, then if you prevent your kid from making its own experiences.

cpursley
0 replies
8h15m

This is largely an American created phenomenon (thanks, Disney!) that the rest of the Anglo-world has adopted, unfortunately.

quacked
20 replies
21h17m

I feel so frustrated by nearly any degree of censorship. "Should we censor fairy tales? Should we censor Roald Dahl? Should we censor the speeches of Confederate generals?" No! Why do the pro-censor groups think that an uninformed populace with incorrect understandings of what people in the past said and did is better for the future?

techostritch
10 replies
21h13m

This wasn’t exactly my reading of the article, in this case, sanitization seems more about capitalism and appealing to the lowest common denominator (I.e. a happy version of the Little Mermaid) than censorship.

I’m conflicted because do we live in a free society where people are free to choose the type of material they popularize or should we force legacy versions of fairy tales on them in a paternalistic sense it’s good for them.

peoplefromibiza
6 replies
21h3m

we should absolutely make the originals available, next to the "sanitized" versions that are clearly labeled as "not original" or "loosely based on the original story"

Even "The Shining" is labeled as "based on the original novel from Stephen King" and not as a "faithful adaption of ..."

Any other way of presenting the redacted material it's bad, as in "universally bad".

roywiggins
4 replies
20h37m

The thing with traditional fairy tales in particular is that they don't have original versions.

peoplefromibiza
3 replies
20h27m

The thing is that the original fairy tales are surely not "sanitized" versions of the ones we know.

So if the idea is that we should clean-up the original stories so that they can replace the ones we know now in the future, we're doing a disservice to future people, because we have the oldest ones that have been printed at disposal and should not deprive them of the possibility of reading them, if they want to.

The fact that before the press there was no book of fairy tales is irrelevant.

The Grimm's are the Grimm's and we should keep printing and reading them as they were intended by the authors.

roywiggins
2 replies
19h2m

Which edition? The first edition wasn't even available in English until relatively recently, and they went through continuous change. The first editions weren't even meant to be suitable for children at the time, so it's kind of weird to insist that that's the version that kids need today.

This recent translation means English readers probably have better access to the original Grimm tales than they ever had before! Which is of course a good thing. Obviously the originals are in the public domain and aren't going anywhere, and so are lots of older 19th century English translations, presumably with varying degrees of fidelity. Nothing's being hidden from anyone; "actually the original Grimms' stories were pretty dark" is a factoid that is pretty widely known these days, I think?

But anyway, the article supposes that specifically kids should be exposed to the earliest, least expurgated versions of the story possible, which is very odd. Even in the 19th century people thought these stories were too dark for kids, which is why there was commercial success in selling shorter, lighter, more family-friendly versions, which the Grimms did. I don't think these stories would be awful for a bright 12 year old to read or anything, but the implication throughout is that these were considered kid-friendly in the past, which they weren't, at least in their original versions.

https://www.theguardian.com/books/2014/nov/12/grimm-brothers...

peoplefromibiza
1 replies
10h56m

The first edition wasn't even available in English

Does it even matter?

The Grimm brothers were German, the books in German do exist.

Pinocchio is an Italian work, in Italy it's always been available and a huge success, does it matter if the english version came out much later?

To me the fact that they have become available, shows that the interest among the English readers has grown.

"actually the original Grimms' stories were pretty dark"

kids should be exposed to the earliest, least expurgated versions of the story possible, which is very odd.

I read "The Hobbit" as a kid, it's pretty dark too, but I loved it. Read it again as an adult, didn't like it that much.

People are different, kids are not a monolith, they come from different backgrounds, especially different parents' backgrounds and opinions and values.

People I know don't let their kids watch Peppa Pig or the Winx, others don't want them to be schooled about religious stuff, they should be exposed doesn't mean they should be forced to read them, but that we should not pretend that we know better than them what it's good for them

It's not pornography or nonsense gore violence.

roywiggins
0 replies
3h8m

I think kids should definitely be allowed to read the old stories! I'm just objecting to the article's handwringing about adaptations being "sanitized." It's good to adapt things, it's also good to read the stuff that's being adapted. If a bright 12 year old wants to read the gory Grimm versions of the stories then by all means, have at it.

techostritch
0 replies
20h45m

“we should absolutely make the originals available, next to the "sanitized" versions that are clearly labeled as "not original" or "loosely based on the original story"”

My point was definitely not to imply otherwise and I’m sorry if I did. I don’t think it’s wrong to create a new work that happens to eclipse the old work in popularity, I do think it’s wrong to eliminate or censor the old work entirely.

segasaturn
2 replies
21h2m

Indeed, today's issues of censorship and "sanitization" isn't caused by the government, or bands of overzealous activists, but the Free Market and capitalism working as intended - appeal to the greatest possible audience by removing anything that could be seen as questionable/objectionable to capture the largest possible market share & thus derive the most profit. The free market has created a kind of crisis of creativity where all the movies, TV shows and books kind of look and feel the same, where nobody's feelings get hurt and nobody's ideas are challenged, because that kind of media is objectively the most profitable.

techostritch
0 replies
20h40m

I’d like to be more charitable to your response so please correct me here:

Wouldn’t it be more censorship to say that people are not to create such media where “nobody’s feelings get hurt and nobody’s ideas are challenged.” Like who would decide what media is sufficiently challenging?

I feel like this is always the problem with the complaint about popular culture is it seems like the only solution is something that doesn’t look like freedom.

philwelch
0 replies
9h57m

That's not entirely true. Media corporations (or, to be more precise, the managers running them) often impose their own preferences and agendas even when doing so is contrary to audience preferences. This is a classic example: https://en.wikipedia.org/wiki/Rural_purge

roywiggins
3 replies
21h5m

Even the Grimms themselves seem to have toned down the gore in their stories to appeal to larger audiences. It seems like many people at the time didn't think the original editions were suitable for children, so they brought out more family-friendly editions once they realized there was a demand for it.

https://www.theguardian.com/books/2014/nov/12/grimm-brothers...

"Zipes describes the changes made as “immense”, with around 40 or 50 tales in the first edition deleted or drastically changed by the time the seventh edition was published. “The original edition was not published for children or general readers. Nor were these tales told primarily for children. It was only after the Grimms published two editions primarily for adults that they changed their attitude and decided to produce a shorter edition for middle-class families. This led to Wilhelm’s editing and censoring many of the tales,” he told the Guardian."
peoplefromibiza
2 replies
21h1m

Well, if the authors believe it, the authors have all the rights to change their books.

But not the rest of us.

EDIT: if the Grimms edited their books, it was in their rights. If we decide to edit Rolad Dahl (or the Grimms) and still call them Roald Dahl/Grimm's brothers we have no right to do it.

It's as simple as that, regardless who the original author of the story was, the author(s) of the books are very well known, it's the Grimms (in this particular case) and we should not edit them and call them "Grimm's brothers works" but "The X works (based on the Grimm's brothers works)" and see how many copies it sells (I bet not many as exploiting the Grimms' name).

Imagine Tolkien being rewritten based on "The rings of power" and still attributed to Tolkien or if Dune is republished as it is in the movies, with all the scenes removed, but it's still called Frank Herbert's Dune.

Wouldn't it be disappointing?

It is also about cultural heritage.

These works are from different cultures, they are not native of the US, where the debate is taking place about them.

Some time ago I read about rewriting Pinocchio. The majority of people think it is a Disney's story, they do not know or imagine that it is one of the most important piece of the Italian culture, written by Carlo Collodi and it's as important to us as Sherlock Holmes is for UK.

roywiggins
1 replies
20h54m

They're fairy tales. They don't have singular authors. They were transmitted orally and almost certainly adjusted based on whoever the audience was at the time. Just because the Grimms fixed them in print (more or less) doesn't make us beholden to them: they're still fairy tales. Fairy tales have always changed. There is no canonical version of a fairy tale, and no ownership. Disney's Snow White is as valid a telling as anyone's.

The original stories weren't even meant to be read to children. They got adjusted to be more child friendly even in the 19th century. It's very weird to insist that we must read children the original Cinderella even though 1) Grimm's story isn't the "original" Cinderella because there is no original, and 2) even the Grimms didn't think these stories child-friendly.

peoplefromibiza
0 replies
20h32m

They don't have singular authors

True, but that is true for everything before the press was invented, it's also true for music, before music notation was invented or for kitchen recipes...

What we are talking about here is publishing the Grimm's fairy tales, that are the most popular adaption ever of German folklore (we know they are mostly not original, but we can almost say they saved them from oblivion) and republish a sanitized version using the original title and the original authors names.

We still adapt fairy tales when we tell them in front of a campfire, that doesn't change the fact that for some of them the author exists and we know who that is.

Charlie and the chocolate factory, for example, is partly inspired by the author's real life experience with confectionery manufacturing plant Cadbury, it also contains more than one timeless archetype, inspired by a long tradition of orally transmitted tales, but at the same time it's also a completely original story, written by a man named Roald Dahl.

Disney chose those fairy tales exactly because there were no copyright fees involved, ironically today they refuse to let mickey mouse go...

EDIT

the Grimms didn't think these stories child-friendly

AFAIK this is not what happened, the book was criticized for its content not deemed suitable for kids, given that the title "Kinder- und Hausmärchen" made people think otherwise.

They decided to change them and made a specific version for kids, that had an immense success and was re-published many times (I believe it was 10 editions).

We know that, we can refer to the original stories, tha doesn't mean Disney's Cinderella is not a Cinderella story, it means it is based on the Grimm's story, but it's not a faithful adaptation.

I don't see what difference it makes for the sake of the argument if the Grimms decided to edit their books.

cogman10
3 replies
21h13m

Do you have an example of someone wanting to censor these things? This isn't something I've seen.

bonzini
2 replies
21h11m

Roald Dahl was censored a couple years ago.

cogman10
1 replies
20h49m

His estate decided to modify the property they own to exclude words they found offensive. Do the owners of a book with the rights to its publication not have the right to publish whatever they like?

The only thing I don't like about this is copyright keeps his books from being republished by anyone but his estate. Copyright lasts far too long.

baobabKoodaa
0 replies
19h30m

They had legal rights, sure. But moral rights? No. Any author would turn in their grave at the mere thought of a publishing house bowdlerizing their work after they're no longer around to defend it.

doe_eyes
0 replies
21h10m

The argument is that we don't use Dahl's books as cautionary tales. They're entertainment. The concern is that kids may instinctively pick up some harmful stereotypes from that.

Personally, I don't like it and I think we are so obsessed with sanitizing the language mostly because it's easy. You can search-and-replace all "blacklists" in the codebase and pat yourself on the back and feel like a good ally. Fixing real issues is a lot less convenient, and it's a lot harder to agree on the approach.

sltkr
17 replies
19h3m

It's interesting that the article mentions Hans Christian Andersen's “The Little Mermaid” as an example of a story that was “sanitized” by removing the part where Ariel is forced to choose between killing her prince or turning into foam on the waves.

But Andersen's story was itself a sanitized version of Friedrich de la Motte Fouqué's “Undine”, a fairy/morality tale in which a water spirit marries a human knight in order to gain an immortal soul. In that story, her husband ultimately breaks his wedding vows, forcing Undine to kill him, and losing her chance of going to heaven.

Andersen explicitly wrote that he found that ending too depressing, which is why he made up his whole bit about Ariel refusing to kill Prince Erik, and instead of dying, she turned into a spirit of the air, where if she does good deeds for 300 years, she's eventually allowed to go to heaven after all.

Even as a child, it felt like a cop-out to me. But my point was: “The Little Mermaid” is itself a sanitized version of the original novella, adapted to the author's modern sensibilities.

chewxy
7 replies
18h49m

I told a variant of the original Little Mermaid story as part of a school outreach program. The kids came to the conclusion that God wasn't a fair being because he didn't give mermaids souls. I walked away satisfied that my little counterprogramming against catholic school indoctrination might have worked. I wasn't invited back (at least for school year 2024).

ethbr1
2 replies
3h27m

In some novel, the author discussed Abraham's sacrifice of Isaac [0] as not a test of Abraham by God, but a test of God by Abraham.

As in, 'I am about to murder my only son on your orders. If you are indeed the kind of god who would order me to do such a thing, then we'll see where that leaves us...'

That interpretation always struck me as truer to Old Testament tone.

[0] https://biblehub.com/kjv/genesis/22.htm

mhuffman
1 replies
54m

I don't know. If memory serves life was pretty cheap in the old testament with millions being murdered and everyone(?) killed if you count the flood.

ethbr1
0 replies
40m

Weren't those non-believers, though?

Old Testament God is pretty firm on that line. :D

copperx
0 replies
1h21m

I wouldn't blame anyone for assuming God is a being. It's hard to reconcile the idea that God is both an abstract entity, like a force in the universe, but it also can become fully human as Jesus Christ.

indoordin0saur
0 replies
52m

Leaving the classroom, I tip my fedora and chuckle to myself. As I smile at my own cleverness I wonder how much karma this story is going to get when I post it on the atheism subreddit later.

b800h
0 replies
4h56m

I'm not surprised the school didn't invite you back. Was the school outreach programme organised by your employer?

BurningFrog
4 replies
14h26m

True. But there is a big difference between...

(1) HC Andersen writing his own version of an old story, and

(2) A 2024 editor rewriting HC Andersen's story and selling that as written by HC Andersen.

geysersam
3 replies
12h53m

In this context that's a rather small difference though. At that point the discussion is not anymore about if it's wrong or right to rewrite stories and tell rewritten stories to children, it's more about the rights of the author to not be associated with work that isn't theirs.

AnonymousPlanet
1 replies
12h24m

No, it's about not being lied to when looking up a work of fiction.

Revisionism of historic facts and artwork is one of the oldest forms of political manipulation and has never served a good purpose, no matter how well meant. If you want to alter a story, make it clear that you altered it, don't replace the original with your version and then lie to people.

foldr
0 replies
7h32m

The article is talking about the Disney adaptation of The Little Mermaid. I don’t think anyone went to see that assuming that it was a 100% faithful adaptation of the original text (insofar as such a thing exists in this case) so I don’t see that anyone is being lied to.

BurningFrog
0 replies
3h46m

To me it's 98% about the book buying consumer's right to get the product they paid for!

selimthegrim
0 replies
4h53m

The erstwhile namesake of Ondine’s curse.

konschubert
0 replies
6h1m

I like the take that Noah had on Twitter: the Disney version, where the evil witch gets killed, teaches an essential lesson too:

That we can overcome danger. We have basically cured Aids, we have fully eradicated smallpox.

The daemons are real and dangerous, but we can win.

dirkt
0 replies
12h45m

But Andersen's story was itself a sanitized version of Friedrich de la Motte Fouqué's “Undine”

Now I got curious. Wikipedia actually has a summary of each chapter of "Undine" [1], and it's COMPLETELY DIFFERENT both in style and plot from Andersen's version [2]. Basically the only similarity is that it is about a mermaid and a prince/knight, and the (potential) death of the prince/knight at the end. For it to be a "sanitized version", it should be MUCH closer.

[1] https://de.wikipedia.org/wiki/Undine_(Friedrich_de_la_Motte_...

[2] https://www.projekt-gutenberg.org/andersen/maerchen/chap127....

petsfed
15 replies
19h40m

Its curious, because I have pretty stark objections to The Little Mermaid (chiefly, the subtext seems to be "it's totally ok to change everything about yourself to win the affection of a boy you literally just met" and in light of that, the only moral becomes "read the fine print before signing a contract"), they are neatly addressed by the original text. The original is more an allegory about how changing everything about yourself is actually bad than the fairy tale romance that Disney pitches, which is not AT ALL what I expected.

There's real benefit to exposing kids to darker themes (my eldest loves a book that kills its main character's father on the second page, and after she recovered from being a little weepy about it, it became one of her favorites), but there's also merit to letting the kids choose to hit pause on scary/disturbing/whatever themes until they're in a place to deal with it.

Showing your kids The Two Towers might have a really positive impact on them at the right time, but only if they're mature enough that it doesn't lead to e.g. bed-wetting levels of dis-regulation.

epolanski
7 replies
7h34m

"it's totally ok to change everything about yourself to win the affection of a boy you literally just met"

Meanwhile I always taught that the underlying message of The Lion King to be insane and it seems like I'm the only one:

- don't do what you want but what society/religion tells you to do (Simba is happy with Timon and Pumba, but then they send other animals including the monkey shaman to tell him he has to fight his uncle)

- your destiny is decided at birth

- there are tier all tiers of living creatures (eating a pig => bad, eating insects => okay cause they don't talk) and genetics decide it

I'm not against cancelling it by the way, I just find the message of the film...insane.

savingsPossible
1 replies
4h34m

Not to mention quite a bit of divine right of kings...

The land literally heals when 'the rightful king' is back in power

joshuahedlund
0 replies
4h5m

The story's pretty clearly borrowed from both Hamlet and Moses, so I bet that's where that sort of thing slipped in.

joshuahedlund
1 replies
4h9m

- don't do what you want but what society/religion tells you to do (Simba is happy with Timon and Pumba, but then they send other animals including the monkey shaman to tell him he has to fight his uncle)

Interesting interpretation. I always saw it as being more about justice (i.e. don't live a blissfully ignorant life while your own kin are suffering when you can do something about it) Although maybe that's actually what you're saying too - the message is "don't do what you want" - but we disagree about whether that's insane or correct :)

LanceH
0 replies
4m

putting the hyenas in their place is justice

being in charge because you were born to be is justice

yea, being about justice doesn't improve it

dyauspitr
0 replies
2h49m

don't do what you want but what society/religion tells you to do

As an aside, this is pretty much what the entire Bhagvat Gita is roughly about.

LanceH
0 replies
5m

I've been saying this exact same thing since it came out.

Add in the fact that it was heavily marketed as including black representation -- then having those messages just makes it worse.

thaumasiotes
2 replies
19h9m

The original is more an allegory about how changing everything about yourself is actually bad than the fairy tale romance that Disney pitche

I thought the main message of the original was "mermaids don't have souls". It doesn't really matter what she does or doesn't do.

savingsPossible
0 replies
2h48m

It even has the ultra-harsh punishment for misdeeds :P

tpmoney
1 replies
13h34m

chiefly, the subtext seems to be "it's totally ok to change everything about yourself to win the affection of a boy you literally just met"

I really object to this relatively modern interpretation of the Disney movie. For all the perfectly valid flaws in Disney movies, this one is far off the mark that I don't understand how it's become so popular, or why even Disney themselves leaned into it.

Ariel in the Disney movie is obsessed with "land culture" long before she ever meets Eric or "falls in love". She has a massive collection of trinkets and artifacts, of which she only has as surface level understanding at best, and a flawed mistranslated one at worst. She's missing family functions for her obsession. She is basically a "weeb" for human culture. Yes, she gets herself love struck when she goes to the surface, but she already wanted to be up there. Her "I want" song comes before she's ever laid eyes on Eric. She's got plans to move, and she's already chafing under her father. Falling "in love" with Eric might be the instigating incident, but she already wants to make a change and get up there. Also bear in mind that she doesn't know anything about Eric at all, she's not "changing herself to win the affections of a boy she just met", they haven't met at all. She's obsessed and made up a fantasy in her head. Again to continue with the weeb analogy, this is like a hypothetical weeb going to an "Atarashii Gakko" concert and deciding they're in love with one of the singers and they're moving to Japan to be with them. It has nothing to do with "love" or "affection" and it's all about the obsession.

Ursula leverages this and the recent fights Ariel has had with Triton to trick her into signing the contract, but again this is about fueling an unrequited (and unknown) obsession, not about trying to do something that she has any reason to believe Eric would be asking of her. And then the ENTIRE rest of the movie drives home the point that she doesn't need to change anything about herself. Remember, Eric is obsessed, with a girl with a pretty voice. He doesn't think Ariel is the girl he's interested in at all. But he falls "in love" with her, the person she is, no changes required. Her lack of voice isn't whats appealing to him. Her legs aren't what's appealing to him. It's her personality, her whole self and she's limited to only being able to express herself as herself via her personality because her captivating voice (and the thing Eric supposedly was in love with) she'd given up. In the end the message isn't "change yourself to win affection" it's quite literally "you are good enough as you are for the right person, even when/if your 'love at first sight' attributes (like your singing voice) are lost"

If one's kids come away from Little Mermaid believing it's ok to change themselves for someone else's affections, one needs to make sure those kids are getting more critical media analysis practice, and maybe also a few sit down talks on their feelings of inadequacy.

sgift
0 replies
10h43m

Thanks for spelling this out. I always thought the same, even as a child when I first saw the film: Ariel has a deep feeling of not belonging where she is combined with a yearning for human culture. It's obvious from the movie that her falling in with the prince is just the last step in a long line of "I should be up there, not down here" and not just some spur of the moment decision.

sapling-ginger
1 replies
14h15m

but there's also merit to letting the kids choose to hit pause

Why is there a "but" there? Nobody is implying that children should be strapped to a chair with their eyelids propped open with toothpicks so that they have to watch all the gory details of a horror movie.

petsfed
0 replies
25m

Looking at the original article, that was for sure the subtext (especially in light of the fact that its coming from an unapologetically Christian source). Their pushback seems to be "parents are trying too hard to protect kids from disturbing images/themes", but also (quoting directly here) "have we swung so far in our attempt to protect children that we don’t tell stories that help them process dark things?"

I resonate strongly with the idea that children today are sheltered too much from how the world really is. But I definitely disagree with the idea that we should force them to listen to those "truths" when they can tell for themselves that they aren't able to deal with them. The article expends a lot of words on the idea that good and evil are atomic unto themselves, and not at least partially determined by both outcome, intent, and method. I guarantee that kids in general, and my kids specifically, won't be helped by hearing about (as expressed in the article) Cinderella's step-sisters hacking off their toes and heels to fit into the glass slipper. There are loads of other tropes in classic fairy tales that I'm also uncomfortable with; physical beauty is a reflection of inner beauty, step-mothers are always cruel to their step children, princesses (or marriages in general) as prizes for the heroic feats of princes/knights errant/other adventurers, etc.

Fairy tales often seem needlessly cruel given the current state of our society, and they also pack in a lot of warning messages that just don't apply anymore, and clinging to them is itself harmful to kids.

troupe
13 replies
20h59m

I agree with the overall idea of the article, but it is important to recognize that our modern assumptions make us think there is a particular version of a fairy tale that is the "correct" or "original" version. Stories handed down orally are likely changed in each telling to better fit their audience, so in that sense, the way fairy tales were told almost always included some type of sanitization or embellishment depending on who was listening.

jonahx
6 replies
20h32m

You're technically correct, ofc, but I feel this is a red herring.

Sure, all fairy tales have oral origins, and with Grimm you even various translations over the years.

Nevertheless, me, my parents, and their parents were all reading basically the same thing, and often the exact same book. That is, the books have been around over 150 years and have become canon in their own right. It is the sanitization of those books that people are objecting to.

So you can't just say "hey these things come from an ever-evolving oral tradition and this is just one more evolution". That doesn't accurately describe what is happening.

schneems
1 replies
19h48m

I think in an ideal world they come with some kind of a diff. Maybe an activity guide with prompts for parents.

I picked up “Anti-Bias Education for Young Children and Ourselves” from naeyc and that’s more or less what they propose. They suggested that when you see a problematic representation in your kids media not to hide it, but note it “That doesn’t seem very fair to be judged only by <blank>” and if there’s time engage the kid “what do you think?”

It gives a natural way to talk about the problems while also showing good examples of how they might come up in the kids life.

You can also do the inverse. Remove the gnarly reference and then introduce a surrogate conversation with possibly easier to understand plots or themes. Later when they are older you can, and should, talk to them about how the differences and ask what they think. Ask them to come up with a different change and think how that might influence the reader.

Now not only did they get the changed and original they get a healthy dose of media literacy to understand how changing narratives can change how we view the world.

There are challenges and difficulties of course, but it’s certainly possible to do well in my opinion.

onlypassingthru
0 replies
18h26m

I think in an ideal world they come with some kind of a diff.

I've got a couple annotated editions of famous books that do just that by way of marginalia and extended footnotes. It's a great way to learn about a story's evolution or context.

relaxing
1 replies
20h9m

I’m missing the point where that’s not happening. Is it that a book is not oral transmission?

jonahx
0 replies
19h47m

Correct it is a book. The analogy to what's going on now is not "oral evolution" but the OG bowdlerization of Shakespeare by Bowdler himself, and we (rightly) see that today as ridiculous.

pyrale
0 replies
20h2m

So you can't just say "hey these things come from an ever-evolving oral tradition and this is just one more evolution". That doesn't accurately describe what is happening.

On the other hand, why should people stop doing what they've done for cenuries because some guy wrote something down at some point? Part of what keeps stories relevant is that parents adapt them to the current context. Stopping their evolution is the best way to kill their transmission. Whether the transmission is oral or written is kind of irrelevant.

magicalist
0 replies
19h58m

Saying "my book is the canon because I've had it a long time" is a type of censorship itself. Having more than one version of a story is not the type of sanitization this article is talking about.

noodleman
2 replies
20h46m

This is actually an interesting point. There's a tendency to assume that the core of a story is the same, even if the way it's told is different. I wonder how many generations of retellings it takes for us to notice significant differences.

thaumasiotes
0 replies
17h2m

I wonder how many generations of retellings it takes for us to notice significant differences.

That's not really a sensible question. Compare the 17th-century European story of Cinderella to the 9th-century Chinese story of Ye Xian: https://en.wikipedia.org/wiki/Ye_Xian

The story stayed nearly identical for a period of many centuries. Significant differences could have been introduced at any point, but they weren't.

crooked-v
0 replies
20h44m

I think stories about King Arthur would be a good comparison. They fit a similar cultural niche, but we have lots of different versions that were written down over the centuries.

taberiand
0 replies
20h26m

I don't think it's a question of the correct version, just a question of the most appropriate for what our children need. The article also mentions modern series and YA novels that have in some ways even bleaker themes, and I think there's nothing wrong with a feel good Disney story either.

I think there is a tendency for parents to excessively avoid letting their children be afraid, instead of providing a safe place to experience fear, and these older stories didn't shy away from those themes and so can be useful for bringing some of that safe fear back for children.

slg
0 replies
18h52m

You don't have to go back that far to fairy tales and oral traditions for this to be true. For example, when people complain about the recent edits to Charlie and the Chocolate Factory, the canon version that people tend to want to return to is an edit from the 1970s. People rarely advocate for going all the way back to the original version in which the Oompa-Loompas were more directly African pygmy slaves.

roywiggins
0 replies
20h39m

Even the Grimms' original versions weren't meant for children at the time!

onetimeuse92304
8 replies
1h35m

It is hard to me to understand how much this revisionist tendency is just a recent invention and to what extent it has been present throughout the history.

For the most part, I can see old books on bookshelves are still unedited. But maybe some other books have been completely destroyed due to not being acceptable to future readers/powers?

But I really hate it. I dislike when people do not understand that moral and social norms change over time and you can't blindly apply your current views to historical people who were brought up and lived in a different world.

I am pretty sure people in some distant future will think about us as heathens for eating meat, driving cars and wearing plastic. I hope they will be wise enough not to cancel us complete for this and hear out other wisdom we might want to pass.

timcederman
2 replies
1h13m

It's not new. Books have been getting revised for decades now for newer sensibilities. (e.g. even the Hardy Boys was revised more than 60 years ago to sanitise it - https://www.theatlantic.com/entertainment/archive/2019/01/re...)

There was recent controversy about Roald Dahl's books getting revised (and he said himself 'change one word [in my books] and deal with my crocodile'), yet he also made revisions in his own lifetime for the same reason (https://www.forbes.com/sites/danidiplacido/2023/02/21/woke-w...)

dbspin
1 replies
28m

There's a world of difference between an author revising their own work voluntarily, and their work being censored and amended without their consent. Any writer may review their work and find it wanting for any variety of reasons - but it remains the record of their creative vision. The most perfect expression of their ideas and deepest self. Even children's stories. The Forbes article you link to lists a variety of nonsensical changes that seem to have been made 'just because'. As a writer myself, I find the concept of 'sensitivity readers' condescending, troubling and downright dangerous.

To cite the article you've linked - Author Salman Rushdie wrote, “Roald Dahl was no angel but this is absurd censorship. Puffin Books and the Dahl estate should be ashamed.”

KittenInABox
0 replies
15m

s a writer myself, I find the concept of 'sensitivity readers' condescending, troubling and downright dangerous.

Also a writer myself, I find 'sensitivity readers' just another tool in the toolbox. I wouldn't find it appropriate to have a generic one, but if I'm, say, depicting an addict I might want to consult someone who either has lived experiences with addiction or someone who is an expert on addicts, so that I'm not unintentionally spreading bullshit tropes. A basic "am I the asshole" sort of check.

JackFr
1 replies
49m

I am pretty sure people in some distant future will think about us as heathens for eating meat, driving cars and wearing plastic. I hope they will be wise enough not to cancel us complete for this and hear out other wisdom we might want to pass.

I think we're pretty poor at predicting what future generations will think about us. To that point I heartily recommend "But What If We're Wrong" by Chuck Klosterman.

mmcdermott
0 replies
33m

It's hard to know how predominate views will change, but it is certain that they will change. If views change, the future generations must, by necessity, see us as wrong on some dimension(s) or else their views would have remained the same.

So I think the need to be able to look at past generations and "hear them out" (i.e. not cancel them, take the good, leave the bad, etc.) is important regardless of how well we project out the future.

dukeofdoom
0 replies
40m

It's fun to think about how much meducal and scientific stuff they were wrong about. But today people still persist with dogmatic belief in what they believe to be proven. It was more often quakaey than not... so the trend is continuing

KittenInABox
0 replies
21m

It is hard to me to understand how much this revisionist tendency is just a recent invention and to what extent it has been present throughout the history

How could this be a recent invention when the bible literally exists? That we know that greek and roman gods have a complex and related history, itself derived from even older gods? We literally know that we know almost nothing about the vikings because they didn't write much stuff down so all accounts we know are almost entirely by people who hate them!

Andrews54757
0 replies
21m

I'm sure children can distinguish fiction from reality better than adults give them credit for. Sure, it's possible for a kid to mimic a violent kid's show from time to time. But such incidents are rare, and seem to coincide with poor parenting for the most part.

That said, I find it reasonable to think that children may have an underdeveloped capacity to understand sophisticated phenomena such as social norms. I remember that I didn't truly understand the dynamic nature of social norms till middle school. Children can be quite trusting when it comes to moral instruction. In that sense, perhaps one can justify "sanitizing" stories for an audience with impaired discernment.

bunderbunder
8 replies
2h26m

I hate when people use the word "sanitize" in this context. For one, it's a weasel word and needlessly moralistic. But, even more than that, when people write essays complaining about sanitizing classic stories, most of what they succeed in communicating to me is that they don't actually understand how literature works.

Adjusting older stories to reflect contemporary cultural values has been happening for as long as there have been stories. The reason for that is simple: one of stories' major functions is to express things about ourselves - lessons, observations, etc. When an element gets dropped from a story, it's because that element is no longer culturally relevant, plain and simple. Stories, too, need to choose between evolution and extinction.

Take an oft-bemoaned example: Disney's version of the Little Mermaid. It's a very good adaptation. Adaptation. It differs from Hans Christian Anderson's in part because the lessons we think are important to teach our kids are different. But also, the medium itself affects things: children's movies don't have to be as graphic to achieve the same excitement level and emotional impact as written stories with few or zero pictures. A movie that didn't change anything from the original version of the story wouldn't have had nearly the same cultural impact, because it wouldn't have been nearly as good.

philosopher1234
2 replies
2h12m

I agree with what you wrote mostly but I think you are dismissing the criticism of sanitizing stories too easily. It’s a real phenomenon, and it is genuinely motivated by changing cultural precepts. And it is unfortunate, something about ourselves is lost in the process. Is it in the best interests of civilization? It may be. But not always.

bunderbunder
1 replies
33m

I think that I couldn't disagree more with this point. Riffing and building on existing cultural artifacts does not erase them. Nobody's telling Hans Christian Andersen to shut up, and nobody's telling publishers to stop publishing him, and readership of The Snow Queen - the original version - is presumably much greater now than it was in 2012. My kids have specifically asked for it, while I wasn't even aware it existed as a child.

On the other hand, the implied message of people who complain about modern retellings is that they should not exist. (What else can it be?) And if they have their way, something absolutely would be lost: the ability of these stories to continue to participate in living culture.

samatman
0 replies
4m

Nobody's telling Hans Christian Andersen to shut up, and nobody's telling publishers to stop publishing him

Do Dr. Seuss next.

cm11
1 replies
1h7m

Good point. It’s just that some weirdness arises as stories (or adaptations) begin to pass as originals, which I think happens by default. More effort to not take the thing at face value, more effort to asterisk every story you tell. Sanitizing is sorta like politeness in its (usually mild) degree of dishonesty. We tend to accept this level and sometimes praise it. Both also usually add slight bias towards the teller’s needs.

Even the idea of telling _the_ story of Cinderella vs _a_ story of Cinderella adds a not necessarily warranted suggestion of what people hundreds of years ago moralized and embellishes it with a kind of “time-tested” truth of humans.

bunderbunder
0 replies
6m

The thing is, though, that there's no such thing as an "original" when we're talking about folkloric fairy tales. People give way too much deference to the first person who happened to get his own version of a story into print, typically imposing their own middle- or upper-class sensibilities onto it in the process. Those versions deserve respect as literary and scholarly works, but they neither require nor merit actual deference. Rich people using public domain stories as a vehicle for for-profit moralizing in the 18th or 19th centuries is not inherently more laudable than rich people using public domain stories as a vehicle for for-profit moralizing in the 20th or 21st centuries.

copperx
0 replies
1h37m

I understand your point, but you're overlooking who does the adapting. Oral stories were naturally updated with each generation, and I think that's wonderful. However, in this case, we're discussing literature being adapted by a global corporation with shareholders aiming to please a broad audience.

If Disney were to adapt The Lord of the Rings in 100 years to reflect new "lessons," I would be relieved to no longer be around to see it.

anyonecancode
0 replies
44m

I hate when people use the word "sanitize" in this context

The term I've seen used is "bowlderize"

zeristor
7 replies
21h44m

I remember watching the Czech version of The Little Mermaid, not the Russian one.

It was just so intense, and obsessive.

icepat
4 replies
21h4m

Czech children's TV is something else. I've seen some of it too and, to my North American perspective, it feels like a feverdream.

troad
1 replies
19h48m

The Czechs have historically had a fairly significant animation industry, and the vast majority are very cute, e.g.: [0][1]. There also exist a few stop motion animation films intended for adults, and those can be more arthouse (e.g. Alice). [2]

In America, Czech cartoons somewhat unfairly have the reputation for being weird, because a dozen Tom & Jerry episodes were made in Prague in the early 1960s in very weird circumstances, on a shoe-string budget by animators unaccustomed to the very idea of violent cartoons. [3] These were received with some confusion by the American audience in the midst of the Cuban Missile Crisis. From this you then have consequent parodies like The Simpsons' Worker and Parasite, which - though not exactly a fair reflection of Czech animation - is absolutely hilarious. [4]

[0] Krtek a telefon / The Little Mole and the Telephone : https://www.youtube.com/watch?v=RYwrCTxF9Oc

[1] Krtek chemikem / The Little Mole as the Chemist : https://www.youtube.com/watch?v=h8xO4PiJ--w

[2] https://en.wikipedia.org/wiki/Alice_(1988_film)

[3] The story of this is told here: https://www.awn.com/animationworld/tom-jerry-produced-prague

[4] https://www.youtube.com/watch?v=z2_dhUv_CrI

0xDEADFED5
0 replies
13h0m

I came across a Czech film (A Jester's Tale - 1964) when I found this video years ago, and it's been stuck in my brain since:

https://www.youtube.com/watch?v=nqVs_dUgTKM

blkhawk
0 replies
7h29m

The brilliance didn't only extend to animation - there were at least a dozen of non-animated fantasy and science fiction series some that were produced together with the German PBS. For instance Adam84/The Visitors (https://en.wikipedia.org/wiki/N%C3%A1v%C5%A1t%C4%9Bvn%C3%ADc...), Arabella (https://en.wikipedia.org/wiki/Arabela_(TV_series)) and Pan Tau (https://en.wikipedia.org/wiki/Pan_Tau). The visitors in particular have a banging soundtrack you can listen to it on YouTube.

t0bia_s
0 replies
6h44m

Czechoslovakian animation was indeed famous abroad even though communist regime regulate everything they could. Good to mention:

- Krtek (Little mole) by Z. Miler - its never dying cartoon that basically every kids since 1y still watching in Czechia https://www.youtube.com/channel/UC8ZKvF049Iku9y41WpIUUCA

- animated feature films by Karel Zeman (I was a student at school that is located in ateliers where he was making his films) https://youtu.be/fP7T9J6AiHM

- Broučci by J. Trnka https://youtu.be/8Apo0tj5Rso

- Bob a Bobek (one of director was my teacher at high school) https://youtube.com/playlist?list=PLAqhvvA2ar-wN0PRnQVxaEsre...

- Pat a Mat (one of animator was my teacher as well) https://youtube.com/playlist?list=PLAqhvvA2ar-w9QewRWADbr6DW...

- surrealist animation films by J. Švankmajer https://youtu.be/tK_l74cSPGY

- many more

tnias23
7 replies
21h44m

My knee jerk reaction to the title was a strong feeling that racist, sexist, and ageist tropes absolutely should be sanitized out of fairy tails. But this article discusses a different kind of sanitizing, and i feel more comfortable with its premise.

zer00eyz
5 replies
21h26m

Should we sanitize history of the nazis? How about Rome?

Be less precious. The world is a brutal place and the lessons of that should NEVER be forgotten.

whimsicalism
2 replies
21h11m

i don’t think this is a fair comparison to sanitizing racism.

it would be more like if we taught the story of the Nazis from the perspective of Nazism as wrongfully defeated. we certainly do sanitize narratives of history so the victors are the good guys

zer00eyz
1 replies
11h7m

Well we have two good lessons on how we deal with history.

Germany, and Japan.

One is rather recalcitrant for its actions the other is in abject denial that they even did anything wrong.

Not teaching the ills of the past has an impact.

woopwoop24
0 replies
7h39m

yeah and both ways are wrong. I have as much in common with the the german nazis as i have with the japanese war crimes with the chinese and i am german.

We should have strived for understanding that racism is to be fought against and not "hey these countries are bad because they lost" If you have seen the horrors what the americans did to the vietnamese or other way around, or the serbs against their neighbors the bosnians, you come to the conclusion every country is shit.

We need to understand as a species that in order to evolve, we need to break out of the violence and dumb wars, over resources. We have so much potential and we are wasting it, because of stupid and greedy people pushing misery and hate. Don't get me started on religion

petesergeant
1 replies
21h19m

I’m unclear how teaching someone about an unpleasant historical event is perpetuating “racist, sexist, and ageist tropes”?

zer00eyz
0 replies
18h57m

You don't just pretend bad things don't exist and then have them magically stop happening.

What is being advocated for is control of language. It is UNACCEPTABLE.

Part of me wants to hand out copies of 1984. I fear that some of you would see it as a how to manual.

NoMoreNicksLeft
0 replies
21h28m

My knee jerk reaction to the title was a strong feeling that racist, sexist, and ageist tropes absolutely should be

How can we ever have our utopia, if there are hints in centuries-old stories that people were once racist or "ageist"? Why can Winston not stuff all these fairy tales down the memory hole?

llm_trw
7 replies
20h27m

Fairy tales can often be brutal and cruel – people and animals die – and yet, despite everything, the positive powers always win. There can be no other ending.

That is a very 21st century view of fairy tales, no less sanitized than what Disney does.

hifromwork
2 replies
10h31m

I wonder if the author has read Hans Christian Andersen. I still remember reading The Girl Who Trod on a Loaf as a kid. A story about a girl who used a loaf of bread as a stepping stone to go over a pool of mud. And then sank into an evil underworld where she was tortured by scary creatures, starved, and paralysed for many dozens of years (enough for everyone she knew to die), while a few visions of people on surface recollecting her sins. She never returned back to earth.

The positive powers have won because I think the prideful girl regretted her action in the end, but even as a kid this struck me as extremely over the top punishment.

llm_trw
1 replies
6h32m

Keep in mind that in the 19th century a loaf of bread was the difference between life and death many a time. It's difficult to understand why people took food so seriously until you've gone through some amount of starvation yourself.

JoeAltmaier
0 replies
5h16m

Nah. It was just a Mom trying to terrorize a child into being careful with the bread she baked. Probably because it was inconvenient to Mom. Folks beat kids back then for talking back, for spilling milk, for looking at them wrong. No need to justify the over-the-top punishment - it was par for the course for kids.

m463
1 replies
10h25m

no less sanitized than what Disney does.

I think most movies have a happy ending.

To do it otherwise is usually to give up the mass market.

...except some genres that have to go too far the other way to get your attention.

llm_trw
0 replies
6h30m

Most fairy tales were told by overworked grandmothers with arthritis and less teeth than fingers.

And then everyone died because they didn't shut up is a story I remember from my childhood. I imagine the further back you go the more often everyone died because the story teller had enough of talking.

croes
0 replies
2h47m

I remember lots of fairy tales without a happy ending.

I think she hasn't read enough of them

6510
0 replies
19h59m

A wise man one day created a standard formula for fairy tales: They should involve the 3 evils in the world, your employer, your government and your god. Then the protagonist worships them and works hard only to be punished by all 3 for not working hard enough and not bowing deep enough. In each story the protagonist should embrace a logic fallacy that justifies the punishment.

The writers he hired struggled hard implementing the formula but ultimately couldn't write any part of it into any story.

The children worked a shit job, paid many fines and burned in hell for ever, until the end of times.

wonder_er
6 replies
21h1m

I've been reading the original brother's grimm to kids for _years_ and the stories are always gripping. I don't love the reinforcing motifs of the world as perpetually experienced as dangerous, however.

I've been LOVING working through the Studio Ghibli anthology with my toddler. Been curating a list (and then finding the right file) of the movies they like with the best audio tracks. (she cannot read, so watching them in the original audio, while engaging, isn't as helpful as good dubs. Some english dubs have been terrible, some quite good.

We most recently watched Ponyo ["poh-noh-fish" as its sometimes called around here], had it playing on the background a few more times. She's been vastly less drawn to things like baby shark and it's ilk, with the availability of Ghibli's works, and we discuss the characters and events and the ups and downs in the movies throughout, and after.

The pacing, the anti-imperial bent, dignifying many oft-de-dignified tropes, the art, the music, the foley, the mystery and the spiritualism and obvious deep love of the harmony of nature. mmm. I've paid Jeff Bezos more than I wish I had in my pursuit of the best/easiest files, but alas. Here's my beta, if you'd like. [0]

I discovered Studio Ghibli only as an adult, more than 30 years old, so for anyone who doesn't know about it, you might be one of today's lucky 10,000. huzzah [1]

[0]: https://josh.works/recommended-reading#studio-ghibli [1]: https://xkcd.com/1053/

cebu
3 replies
20h45m

Maybe the world is dangerous, but maybe that doesn’t mean we have to be afraid. It’s dangerous business stepping out your front door after all

wonder_er
1 replies
20h34m

exactly. Also, there's so much adventure to be experienced, so much beauty to appreciate. It's worth it. Also, the world _does not have to be experienced as constantly dangerous_ and it's important to allow a respite from that message.

That the world is dangerous is self-evident, but it's not interesting to me to force that message into places it ought not be. And I think adults conceptions of 'the world is dangerous' does not always match the harm as experienced by children. They know the world is dangerous. They experience it all the time.

cebu
0 replies
20h11m

Of course. It certainly depends on context. Maybe some children need a respite from safe places. Others, an invite into them

techostritch
0 replies
20h32m

Is it though? I mean yes, but one argument I would have against overly glorifying some of these fairy tiles is that the way the world is dangerous today is very different from the way it was two hundred years ago.

_carbyau_
1 replies
17h58m

Man, "Grave of the Fireflies" crushed me - once.

I certainly couldn't handle having it "playing in the background".

wonder_er
0 replies
12h25m

Yeah this isn't one of the background ones. 'My neighbor Totoro', 'howls moving castle', ponyo, princess calagua

rich_sasha
6 replies
20h52m

The world is good, bad and everything else in-between at the same time, and we try to stick to the good bits. I remember reading that children gain the ability to understand that around the age of 7. Prior to that, seeing the bad taints the whole world for them.

I can't tell if that's true, but intuitively rings so. Now, if it is of life-or-death importance to condition your children never to go into the forest alone while you are tilling the fields, perhaps that's a good tradeoff. Most medieval people died in their childhood anyway, worrying about their psychological baggage in adulthood was premature optimisation.

But in 21st century, I think we can do better, and wait with teaching children about the good and evil parts of the world until they are more ready for it.

That's not to say we dumb everything down and take away nuance. But it doesn't have to be gory. Bluey is full of nuance and suitable for all ages.

squidbeak
4 replies
20h40m

My parents read Roald Dahl to me and would put on Watership Down years before I was 7, without ever tainting the world for me. The same was true for several generations of British kids. A happy ending after a disturbing struggle is more like a way of instilling durable optimism in children.

wonder_er
0 replies
20h38m

strongly agree. I've been loving anything/everything produced by the animation studio "Studio Ghibli".

I was introduced via the first few works created by the first director, Hayao Miyazaki, it's absolutely ruined me for nearly all other works that claim to be for children.

Their productions feel so dignifying to everyone, embracing the full human experience, not so necessarily dark and disturbing.

wirrbel
0 replies
11h13m

I think i once heard Neil Gaiman explain that he doesn’t think that the level of violence is what distinguishes a book for adults from a book for kids but whether or not the protagonist looses control in the novel and to which extent.

rich_sasha
0 replies
20h31m

Funnily enough, my parents read Watership Down to me too, I would have been around 4-5 then. They skipped the worst bits, and yet still I remember being scared. I liked the rest of the story, including the happy end.

You can sanitize without hurting, and even if you think you remove the worst bits, it can still be too much, for some children at least.

pneumatic1
0 replies
7h10m

My 4 year old and I just finished Charlie and the Chocolate Factory. He sometimes got a little nervous when the other kids disappeared, but he loved the story. Charlies virtue was so obvious to him. We just brought home a stack of more Roald Dahl from the library.

Swizec
0 replies
19h34m

I remember reading that children gain the ability to understand that around the age of 7. Prior to that, seeing the bad taints the whole world for them.

My country had a [short] war when I was 4 years old. Kids are plenty capable of experiencing bad and not being permanently tainted by it. Takes parental guidance of course.

I also grew up on the version of Little Red Riding Hood where they actually get eaten and the hunter has to cut them out of the wolf after killing it. It was one of my favorite stories growing up because bad things happen but they get rescued.

Anyway I think my argument is that bad stuff exists and you can't hide it from kids, but you have to guide them in how to process and have some uncomfortable conversations sometimes.

khazhoux
6 replies
15h27m

Fairy tales are the best way for children to learn that the world contains evil, violence, and danger.

Don’t worry about this. They’ll learn in grade school to be afraid that at any moment, a stranger might come on campus and shoot them all up. And in high school they’ll learn about suicide and rape from their classmates.

They’ll have plenty of horrors to keep track of.

cvoss
3 replies
14h0m

> the best way

The examples you cite do not strike me as the best way, so I will continue to worry about this.

Learning from a story crafted by experienced people, sometimes encompassing many generations of experience and wisdom, is so often superior to having to learn from one's own myopic, incomplete experience in the real world. This is, in some sense, the whole point of having and telling stories.

shswkna
2 replies
13h21m

The parent poster was being sarcastic. ;-)

khazhoux
1 replies
11h49m

I wasn’t being sarcastic.

The article’s plain premise is that kids’ stories have gone soft in an effort to shield them from the harshness of the world.

To which I say: what’s the rush? They’ll learn fear and death and worry soon enough.

alt227
0 replies
9h47m

To which I say: what’s the rush? They’ll learn fear and death and worry soon enough.

The thing is that these fairy stories at a pre school level give children some tools to use when they experience the real horrors you are talking about. If kids go into rape and shootings blind then it can be really disturbing, and leads to mental health issues and suicides. If they have experience of internalising trauma through the safety of stories then these experiences have been proven to be processed much more effectively.

saagarjha
0 replies
10h33m

I went through grade school without dealing with any of this. Unfortunately (or fortunately?) not everyone has an environment where they can experience this.

drajingo
0 replies
14h20m

Doesn't apply outside America, but I accept your point nonetheless. Middle schoolers can be cruel.

bitwize
6 replies
21h30m

J.K. Rowling satirized the idea of "sanitized" fairy tales in The Tales of Beedle the Bard through the character of Beatrix Bloxam, whose bowdlerized versions of Beedle's tales were so wretched they caused kids to vomit, thus undermining her stated goal of writing stories more appropriate for children.

Relatedly, recently an image appeared on Facebook of the character Lady Elaine Fairchilde as she appears in Daniel Tiger's Neighborhood; both her ugly face and her irascible attitude are considerably toned down. It only made me miss the original version of Elaine from Mister Rogers' Neighborhood all the more. Fred Rogers was not one to shy away from the ugly feelings we all feel from time to time; and Elaine's original design draws heavily from the Punch and Judy tradition (which itself could have very dark and scary themes whilst still being entertainment for children, and itself has been toned down).

When all the hard surfaces of our culture have been made soft, spongy and safe, when all the sharp edges are filed down smooth, how will we raise children who grow into adults adequately prepared to deal with the harshness of the real world?

cogman10
4 replies
21h6m

When all the hard surfaces of our culture have been made soft, spongy and safe, when all the sharp edges are filed down smooth, how will we raise children who grow into adults adequately prepared to deal with the harshness of the real world?

Scarred and maimed kids aren't more ready to take on the real world. Losing a toe doesn't make you any more prepared to deal with a difficult coworker.

Daniel Tiger is actually really excellent in how it prepares kids for the real world. No other kids show does a better job of talking about strong emotions, acknowledging them, and dealing with them (or dealing with conflict in general). It shows parents getting upset, kids being shits, and stuff generally just not going right all the time.

I see no way that having an ugly mean Elaine would benefit the show.

relaxing
3 replies
19h59m

The kids will soon need an episode where Lady Elaine is jailed for her interracial relationship with Music Man Stan.

Miss Elaina visits her mother in prison and learns the cruel and capricious nature of King Friday (featured frequently in the original series and sadly missing from the spinoff). Bob Trow plays the LEO and jailer.

cogman10
2 replies
19h45m

King Friday is a regular character in DT. He cruelly makes his son prince Tuesday run the entire city because his favorite son, Prince Wednesday, is being groomed to be the true heir to the throne.

I believe X is plotting a Coup d'état. What he's doing in the enchanted forest is shrouded in mystery. The very name, X, conjures intrigue.

If anyone is running the Jail cells, it's Tuesday. He does that in-between babysitting daniel, maintaining the baseball field/running the little league, and working as a volunteer fireman. [1]

[1] https://www.reddit.com/r/DanielTigerConspiracy/comments/brsf...

jandrese
1 replies
38m

I believe X is plotting a Coup d'état.

WTF is going on here. You are talking about the cartoon for toddlers right?

cogman10
0 replies
31m

Just some dumb fun.

Making up dumb conspiracies about the show is just a way to pass time. Hence the /r/danieltigerconspiracy subreddit.

X is a fairly unflushed out character in the show. You really don't know much about him other than the fact that he takes care of O the owl. That leaves a lot of room to imagine what he might be doing with his spare time.

owendlamb
0 replies
19h28m

I've posted this before[1], but I have a feeling you'll like Dirt Poor Robins' But Never a Key[2] and the concept album it lives in, Deadhorse.

It begins:

  Algernon
  You won't need these flowers
  They've revoked the horrors
  Your tragedy now ends happily

  And I'm sure that they won't be done
  Till they fenced off the ledges
  And rounded the edges of all that goes wrong
  For you, Algernon...
[1] I mentioned it on an HN discussion on Flowers for Algernon, the story the song references: https://news.ycombinator.com/item?id=39666956#39670386

[2] On YouTube: https://youtu.be/IFR06LNqJVs

NeoTar
6 replies
21h49m

I encourage everyone to read the original versions of the fairy tales, as told in the Grimms, Perrault, etc.

These stories sometimes read like something from another world. Like they are set in a world with hidden rules and assumptions, that we do not understand and seem alien to us.

zhynn
0 replies
21h27m

Also recommend the Kalevala if you are curious about such things. It's very interesting.

thaumasiotes
0 replies
15h36m

I loved Tales from Tang Dynasty China: Selections from the Taiping Guangji. ( https://www.amazon.com/Tales-Tang-Dynasty-China-Selections/d... )

As the title suggests, it is a collection of stories mostly written in 10th-century China, translated into English. It includes copious introductory material, on every story individually, to help you understand what's going on.

Even then, there's plenty of material in the stories themselves where it's easy to tell that the author expected you to be familiar with something, but you have no idea what it might be.

techostritch
0 replies
20h28m

I’ve been collecting this series of folk tales, and some of them really are a completely different view of the world / sense of morality. It’s wild.

gwd
0 replies
21h34m

Reading Thumbelina to my four-year-old, and realizing that she was basically... trafficked? Kidnapped from a loving home by a mother toad to marry her ugly son; she escapes but then is homeless, eventually taken in by a kindly field mouse. But then the field mouse eventually decides to force her to marry a mole who wants her to live underground, before finally escaping that and finding people of her own kind who respect her decisions. Makes you wonder for how many children that was more an allegory than a fairly tale, and how many didn't manage all their escapes.

derbOac
0 replies
16h6m

I read the first edition of Grimm's fairy tales in translation not too long ago after having wanted to for awhile, since the translation was released.

The thing I was most surprised by was how bizarre some of the stories were. Not how disturbing or dark they were, but how bizarre and dreamlike they were. Things coming out of nowhere in ways that seemed like nonsequiturs, I still can't tell if there's something about past culture that is lost on me, lost to time, or if the original storytelling was in fact poor, or what.

I completely agree with the general sentiment of the linked article, and I think some of the commenters are exactly right to point out that these tales have been edited and reedited in various forms over time for all sorts of reasons, sometimes to make them less dark than they originally were.

But some of the revisions I knew from animated films and mid to late twentieth century children's books weren't just happier, they made more sense, and were easier to follow for whatever reason.

I loved reading the first edition and agree that it's great to go back to them. I also don't mean to suggest the originals were bad — I think some of the twists and plotlines were better in the originals. But I get the sense that some edits might have been made not to "lighten" the tales, but rather to just make them simpler. In some cases lightening might have been a secondary result of simplifying, and in other cases the latter type of edit encouraged the former.

NoMoreNicksLeft
0 replies
21h30m

Like they are set in a world with hidden rules and assumptions, that we do not understand and seem alien to us.

Is that so difficult to believe? That world existed (and still exists), and each new generation of young people acts flabbergasted when the rules and assumptions smack them in their faces. I was young once, and only now am starting to recognize the world(s) that is far older than myself, whose rules and assumptions I can only vaguely begin to comprehend. You find this in fairy tales too, but not only there.

trustno2
4 replies
10h22m

Just read them Leviticus and Deuteronomy

Vecr
3 replies
10h21m

Numbers too?

trustno2
2 replies
9h31m

That's just to make them fall asleep

Vecr
1 replies
8h18m

Even Numbers 31?

trustno2
0 replies
7h27m

I have to say I forgot that one. All I remember from Numbers is the numbers. All right

MichaelRo
4 replies
12h35m

As a kid in communist Romania, with basically no TV to watch, I spent much time reading whatever I could get my hands on, and fairly tales were a big part of the 'curricula', especially when I was younger.

There's a series of books published here named 'Povești nemuritoare' (Immortal Fairytales) which were hugely popular back then with kids: https://ro.wikipedia.org/wiki/Pove%C8%99ti_nemuritoare

I don't think they were much sanitized if at all and some stories were really disturbing. I see that the emphasis on what to censor lays on violence (ex: hero cutting the head of the dragon, chopping off toes to fit in shoe, stabbing the groom) but that never bothered me as a kid, I barely noticed that to be honest. Probably because I had little realization in their gruesome meaning.

But stories involving the inevitability of death disturbed me and there were a lot of them. One is Romanian, I fucking hated it: https://ro.wikipedia.org/wiki/Tinere%C8%9Be_f%C4%83r%C4%83_b...

Otherwise the stories tended to be grouped by source/nationality. Like "German stories" or "Arab stories" or "Chinese stories". If these were movies, German stories would be "action & adventure", Arab stories would be "comedy" (loved them) and Chinese ... "Horror and drama" :) If you want to traumatize your kids, give them unsanitized versions of Chinese fairy tales :)

anthk
3 replies
8h58m

The Germans had 'The adventures of the Black Hand Gang', where the book was split in four mysteries to solve. In the left you had the narrative and a question/riddle to solve by looking up a big and detailled picture. Such as 'how did X main character guess that the bad guy stole something'?

These books still hold up really well today with few changes.

MichaelRo
1 replies
6h39m

Interesting, seems a modern book for kids. If we're at it, we can probably include Harry Potter and such?

I would include then books such as the "Dunno" series (Neznayka in Russian) from Nikolai Nosov: https://en.wikipedia.org/wiki/Dunno

I read those books several times as a kid. In a pre-overly- technological society, those books are a sort of SciFi for kids, I was utterly fascinated by the contraptions and machinery employed by the little people. Particularly the car that ran on soda water and used syrup for lubricating, with a useful tap where you could get a glass of mixture to drink.

By contrast, I visited the bookstore kids section a few times but seems inundated with dull, modern stories. Worse yet, I find such books on the obligatory reading list in school, there were such lists when I was a kid too but almost never read those because they suck. School is the worst selector of good literature.

selimthegrim
0 replies
4h50m

At least one of the Dunno books was set/written in an idyllic Kiev suburb at the time - Irpin.

jollyllama
0 replies
6h27m

Here in the USA, in the Sunday comics section, a lot of newspapers had "Slylock Fox", which had much the same format.

JoeAltmaier
4 replies
2h40m

I have a copy of some early Grimm's version. It's a bunch of disconnected fragments of stories with events out of order and no particular moral.

The Grimm brothers went around interviewing busy people about stories. Not the storytellers for the most part; just regular people. They had imperfect memories of the old stories, got them confused and mixed up, and probably the whole household was competing to tell the scholars their version. Result: fragmentary and confused.

Not one of the stories in this old book resembled anything in any modern telling. E.g. There were several versions of Cinderella-like stories all different, with entirely different endings, some with no ending. Different slippers or no slippers. One or two or three sisters. Various parents dying, sometimes both! Her inheritance stolen and she exacted revenge to get it back. And so on.

The second half was more like story fragments, nothing complete. Just notes really.

So never mind 'original' versions, there may be no such thing.

wang_li
2 replies
2h30m

So never mind 'original' versions, there may be no such thing.

There may be no authoritative version of a particular story. But there is an authoritative version of a particular writer's version of a particular story. If you want to retell the Little Match Girl story so that she gets to stay inside and have a nice meal and wake up on Christmas morning with a whole pile of gifts under the tree, fine. But don't call it Hans Christian Anderson's Little Match Girl. Call it Bob McBobface's Little Match Girl.

anyonecancode
0 replies
46m

But there is an authoritative version of a particular writer's version of a particular story

Not necessarily. I heard this about, I think "Ulysses," but probably applies to most published books -- there are almost always changes between editions (if a books goes through multiple printings), differences in printings between different markets (even if those markets are in the same language), notes the author may have written at home but didn't get published, notes the author wrote on the review copy that got left out of the published version or got misunderstood or misspelled or otherwise improperly published...

A "text" turns out to be a lot less definitive of thing than it may at first appear.

TomK32
0 replies
1h48m

Hans Christian Andersen died in 1875, the copyright is long expired but of course there might be other right-holders on the title or such.

Why would you want to write his story like this? The whole point of it is for the girl to die in cold, a critique of society's downlooking stance on poverty; just like Jonathan Swift wrote in his work a century earlier and looking at the number of children in poverty in Europe and the US I'd say there's no happy end in sight. 30% of the children in UK live in poverty, 21% in Germany, even Finland (which simply houses the homeless) has a rate of 10%.

TomK32
0 replies
2h0m

Cinderella doesn't even have it's name from the German versions, that'd be Aschenputtel or Aschenbrödel, but from the French variant which was already 1700 years old when you take the story of Rhodopis from ancient greek as its origin (as far as we know now). The greek geographer recorded: "They [the Egyptians] tell the fabulous story that, when she was bathing, an eagle snatched one of her sandals from her maid and carried it to Memphis; and while the king was administering justice in the open air, the eagle, when it arrived above his head, flung the sandal into his lap; and the king, stirred both by the beautiful shape of the sandal and by the strangeness of the occurrence, sent men in all directions into the country in quest of the woman who wore the sandal; and when she was found in the city of Naucratis, she was brought up to Memphis, and became the wife of the king."

https://en.wikipedia.org/wiki/Cinderella

Two years ago I saw an excellent performance of Rossini's La Cenerentola at the Volksoper in Vienna, they put the choir into a 24-legged horse costume to pull the prince's carriage. https://www.volksoper.at/produktion/la-cenerentola-aschenbro...

roywiggins
3 replies
21h1m

This article is a bit weird: even the Grimms sanitized their own stories to appeal to wider audiences, it seems like people in the 19th century didn't think their original editions were suitable for children. The first edition didn't even get translated into English. Reworking fairy tales for different audiences likely is as old as fairy tales- after all, these were ostensibly originally orally transmitted.

They're fairy tales. There is no canonical version. Stories repeated by the fireside do not have original authors. Neither the Grimms or the Germans they got the stories from have a monopoly on what the correct version of the story is.

The original published versions weren't meant for children in the first place:

“The original edition was not published for children or general readers. Nor were these tales told primarily for children. It was only after the Grimms published two editions primarily for adults that they changed their attitude and decided to produce a shorter edition for middle-class families. This led to Wilhelm’s editing and censoring many of the tales,” he told the Guardian.

https://www.theguardian.com/books/2014/nov/12/grimm-brothers...

alt227
1 replies
9h55m

The issue here is that the Grimms sanitized and changed stories, but then released them under their own name, just like Anderson.

Changing the text and claiming that they are still the versions written by those people is the issue.

By all means sanitise and change fairy stories as much as you like, but they must be released under the new authors name, not the originals.

roywiggins
0 replies
3h19m

the article is complaining about adaptations in general and Disney in particular, which aren't billed as "The Brothers Grimm's Cinderella" etc. it's specifically complaining that the nastier bits were removed at all, not that doing so was impugning the Grimms' authorial intent

wirrbel
0 replies
11h19m

Iirc Wilhelm rewrote and Jacob Grimm was against it.

But it must also be understood that the first edition already was a retelling of story material and not a true transcription of the tales told.

It’s also that they actually didn’t have all that many sources when collecting stories.

furyofantares
3 replies
12h1m

I've encounter barely any evil, violence, violence or danger in my life on a personal level, let alone the amount seen in fairy tales. It's quite unclear how reading the Grimms would have better prepared me for anything at all. If anything they'd have mislead me.

I might have enjoyed it, but this article claims fairy tales are a way of telling the truth about how the world is.

protomolecule
0 replies
5h3m

Then maybe fairy tales can help you empathize with people who are not as lucky as you. Or me, for that matter.

alt227
0 replies
9h53m

You have lived a very priviliged life and you should be very grateful for it. Unfortunately most others are not in the same situation.

Lots of people use their experiences with fairy tales to internally deal with things like abusive relatives/relationships, prejudice, rejection, homelessness etc.

RCitronsBroker
0 replies
10h45m

that is something most parents can only ever dream of providing for their child. I don’t mean that in a demeaning way, that's something hugely desirable and probably positive in terms of development. But it’s sort of unattainable for a whole lot of people.

madars
2 replies
21h15m

If you like dogs, one can recommend https://en.wikipedia.org/wiki/Wishbone_(TV_series) which got praise for "refusing to bowdlerize many of the sadder or more unpleasant aspects of the source works." Not sure if PBS is streaming it anymore but there are magnet links around.

tombert
0 replies
20h54m

I loved Wishbone as a kid precisely for that reason; despite the premise being pretty bizarre (telling a classic story but make the main character a dog), even as a kid I always thought it was cool how little they "talked-down" to me.

I remember the Dr. Jekyll and Mr Hyde episode unambiguously kills off Jekyll at the end of the episode, and it genuinely kind of disturbed me a bit when I was a little kid, but in a good way.

thaumasiotes
0 replies
17h0m

Speaking as someone who's always hated dogs, I liked Wishbone anyway because it was that great of a show. Unqualified recommendation.

kouru225
2 replies
21h42m

My mom read Grimms to me when I was a kid. I loved it. We also read D'Aulaires' Book of Greek Myths, which I remember being pretty wild.

Projectiboga
1 replies
21h34m

I had that Greek Myth book plus D'Aulaires' Book of Norse Mythology.

_carbyau_
0 replies
18h11m

With two such comments I took a chance and ordered both. Thanks for the tip.

fyrn_
2 replies
12h3m

Part one was great, then suddenly The argument is replaced by "Jesus is the reason I'm right" There's a place for that, but trying to frame fairy tales as Christian fables was decidedly _not_ where I thought the essay was going after the first part.

less_less
0 replies
8h19m

Not even "Jesus is the reason I'm right". The point of the article is that life is like (the authors' conception of) an unsanitized Grimms' fairy tale: it's full of horrors, but has a happy ending, namely an afterlife in paradise and the final defeat of all types of evil. The authors especially love the HCA Little Mermaid, since she manages to acquire a soul and become saved, though I didn't notice any discussion of the homosexuality / transsexuality aspects of that tale (dunno whether they're the type of Christian who object to those things or not).

IMHO in America today there is a significant problem of "fairy-tale thinking", especially among certain American Christian groups. The issue is not that fairy tales teach that a happy ending is possible, but rather that it often comes almost entirely through external deliverance. The same is true within specifically Evangelical theology, in which salvation is entirely by God's grace through your faith, and not at all through your actions. So while some millenials and zoomers struggle with despair about e.g. climate change because they believe that no happy ending is realistically possible, certain other people believe that it will "just work out somehow", e.g. there will be a miracle of technology, or global warming will turn out to be good or whatever, which is IMHO even less helpful.

Anyway, I partially take their point, but I also think it's important to strike a balance where endings are sometimes only partially happy, and usually come about through (physical, emotional, inter-personal) work of the people involved.

graemep
0 replies
7h14m

It is a reasonable argument for an article in a Christian magazine, and I suspect readers of the magazines would be more likely to expect it than random people going to it from HN.

I do not think the author does a great job of it - it would be better without the rhetorical middle part of the paragraph linking fairy tails to Christianity. Then again, I (though a Christian) may not be the target audience of this magazine either.

cies
2 replies
9h22m

Sherlock Holmes used to take cocaine to help him solve the crime, they replaced it with a pipe ~100 years ago.

Soon we have to change the pipe into a cup of herbal tea.

roelschroeven
0 replies
8h57m

In the BBC series "Sherlock" he uses caffeine patches (or nicotine patches? I forgot), multiple at the same time.

anthk
0 replies
8h55m

I have some public domain translations into Spanish which the original settings are kept like that because they were different times.

anotheraccount9
2 replies
21h43m

I recall a quote from Mr. Gaiman:

“Fairy tales are more than true: not because they tell us that dragons exist, but because they tell us that dragons can be beaten.” ― Neil Gaiman, Coraline

Amorymeltzer
0 replies
21h38m

I love that quote too! I have it from the introduction, I believe, to Smoke and Mirrors:

Fairy tales, as G. K. Chesterton once said, are more than true. Not because they tell us that dragons exist, but because they tell us that dragons can be defeated.

The corresponding original Chesterton quote is supposedly/apocryphally:

Fairy tales do not tell children the dragons exist. Children already know that dragons exist. Fairy tales tell children the dragons can be killed.

I like the original for the "children already know" portion, but I prefer Gaiman's for lyricism and, perhaps ironically given TFA, saying "defeated" instead of "killed."

At any rate, Chesterton didn't say it in so many words. There's some back-and-forth noted here, seems like it's oft-misquoted—<https://www.tumblr.com/neil-gaiman/101407141743/every-versio...>—with a longer version here: <https://saveversusallwands.blogspot.com/2016/05/tracking-bac...>.

082349872349872
0 replies
20h29m

Speaking of Gaiman, and fairy tales, I'll always recommend Snow, Glass, Apples (1994).

Daub
1 replies
15h42m

In the original Cinderella, the slipper was made of fur, not glass. Still now, fur slipper is slang for... Well, you know.

teekert
0 replies
8h40m

I would not sanitize them indeed, but I would not just tell my kids (or anyone too young to grasp historical context) the raw versions either. Just like the bedtime books I grew up with, fairy tales (apart from extreme violence) can contain racism and very often contain sexism (very strong gender roles for example). I don't want my kids to see such stories as examples. When I read my old childhood books I often need to catch myself, or explain a context to my children I'm pretty sure they are unable to grasp. We've started buying more modern books.

I.e., in one example in the Dutch Children book "Pinkeltje" he meets an African tribe and the language to describe them is using terms like devilish, undeveloped and black almost as synonyms.

t0bia_s
0 replies
6h53m

Our kids love reading Andersen's tales same as: Chronicles of Narnia by C. S. Lewis | The Little Prince by A. de Saint-Exupéry | Six Bullerby Children by A. Lindgren (and many more form Lindgren) | Pettson and Findus by S. Nordqvist | Winnie-the-Pooh by A. A. Milne | few local authors (Petr Horáček, Jiří Karafiát, Daisy Mrázková...)

smeg_it
0 replies
2h36m

I have no opinion on the sanitation for kids, as I have none; however, I myself love to read non-sanitized fairy tails. It's not a huge hobby but it's a fun interest I would love to devote more time to.

Any and all resources would be appreciated! I'm ignorant in all languages except English (and I'm not great at it! ;P)

I have one 19th century book entitled "fairy tails from the land of the czar". It has several versions of what might be versions of "Cinderella" and "Baba Yaga" stories. I would love to find more books like that, no mater where they are from.

pb060
0 replies
11h2m

I’m not a child psychologist but I observed how my daughter became almost instinctively scared of the wolf. I think that less sanitized fairy tales can be a bridge between children’s imagination and the real world. Modern versions of fairy tales where the wolf becomes good give me more cringes than the ones where he is shot by the hunter.

muzani
0 replies
8h27m

I was listening to a talk by RL Stine of Goosebumps fame. He says that stories are like a rollercoaster. You go through the scary stuff because you know that everything turns out fine in the end. When he made a slightly unhappy ending, readers were pissed and would write letters to him, telling him to write a sequel to that story to give it a proper ending. Bad endings cheat the young reader out of the experience they wanted.

I'd think most of the sanitized stories are just that -- they're seen as incomplete/wrong endings rather than inappropriate. And children are just so unhappy with them, rather than being traumatized. Adults are more willing to accept incomplete endings.

miniwark
0 replies
9h8m

The example case of "sanitising" Cinderella, do not have a lot of sense. Sure if you compare the Disney version to the Grimm one, the Disney version look like far less horrific. But the Grimm one is just one of the many versions of Cinderella.

The (probably) oldest know version is the story of Rhodopis, where there is only an eagle who bring the shoe of a woman to the king. Apart from the fact than Rhodopis was probably a slave, there is no need for sanitation in this story.

Also, Disney have used the older Perrault version as a base instead of the Grimm one. In the Perault version, Cinderella forgive her stepsisters in the end. There was no need to sanitise anything.

https://en.wikipedia.org/wiki/Cinderella

lukas099
0 replies
19h12m

We use kids' tales to teach kids. The lessons of fairy-tale Europe are not the same lessons we need now, but we can use them to teach kids what yesteryear's kids used to be taught.

loudmax
0 replies
4h21m

Just want to make a recommendation for Philip Pullman's "Grimm Tales: For Young and Old". It's an excellent publication of fifty fairy tales.

It is a modern retelling and I'm not certain they weren't somewhat sanitized, but Pullman does include a lot of the weirdness from the older stories, along with moral dissonance relative to contemporary ethics.

librasteve
0 replies
7h7m

great article

While protecting the innocence of children by sheltering them from overly gruesome material is something all good parents seek to do, have we swung so far in our attempt to protect children that we don’t tell stories that help them process dark things?

i am worried that we have done similar harm to young coders by wrapping them in Python and hiding away the power tools like http://raku.org

leobg
0 replies
7h2m

What I find much worse is the kind of narcissism/outrage/drama porn that most “for kids” stories and franchises are.

If my seven year old reads about some horrible things that happened in World War II, that usually leads to some of our best conversations. If she reads some something written for kids about girls and ponies, she just doesn’t want to stop consuming it, drifts off into some fantasy world, and you can’t have a conversation with her at all.

james_dev_123
0 replies
18h30m

If I’m not mistaken, society used to be structured quite differently. Kids were not grouped so much by age in school, and with so much intermixing of ages in society, young kids were forced to grow up quite quickly.

For example, Alexander Hamilton began working full-time at the age of 11.

Nowadays, we try very hard to shield children from the realities of the world, sanitize their fairy tales, etc. but that’s a relatively recent practice.

hoseja
0 replies
11h17m

Any girl who loved the fairy tales passed young O’Connor’s test. A kindred spirit had been found.

That just filters for weirdos though? You should actually be terrified?

emblaegh
0 replies
8h25m

These fairy tales don't actually have an "original" version. Most of them were folk tales being told and retold for generations before being put to paper, and lots of details would change from time to time and place to place [1]. Disneyfying is just one more step in this process.

[1] Chapter 1 of https://en.wikipedia.org/wiki/The_Great_Cat_Massacre

cess11
0 replies
2h15m

It's a tangent but I'd like to recommend reading 1001 Nights. It's a rather interesting collection of stories, well suited for reading aloud among consenting adults.

With kids around I'd sanitise quite a bit, there's a lot of sex, violence and bigotry in there that I'd prefer that they won't repeat in other settings and connect my name to.

b800h
0 replies
4h46m

I'm particularly aggrieved by the publishers who try to modern-wash Enid Blyton stories. Really exciting and living prose gets turned into bland nothingnesses. It's depressing.