Before people cheer too much, surprisingly works can retroactively be snatched back from the public domain and go back into copyrighted state.
The prime example is the movie Metropolis. It became public domain in 1953 but copyright was restored in 1996 only to re-enter the public domain a year ago today.
The Hobbit and Lord of the Rings enters the public domain in New Zealand, Egypt, and a couple other countries.
Would have entered into the public domain in Canada had the government not signed a last-minute 20 year copyright extension act last year.
Retroactive copyright extensions are changing the deal after it has been made, for the benefit of copyright holders and to the detriment of the public. This is unethical.
That's why I get angry when copyright holders try to make ethical arguments against piracy.
You have a deal with a copyright holder? Have you considered taking them to court over it? I'd donate to help get you what their contract owes you, and I'm sure others would, too.
The deal that society has is that "we follow the law and they follow the law".
Not "we follow the law and they have it changed so that we have to do whatever they want".
The law is the will of ”we”. ”They” can’t change the law – only ”we” can.
Due to gerrymandering, the electoral college, weak campaign finance laws, etc. that's not the case in the United States.
What does the electoral college have to do with legislation? Sounds like you’re just regurgitating a sound bite to me
President can veto laws. President has the bully pulpit and gets things on and off the agenda. Twice in my lifetime has the candidate who won the popular vote lost the presidency, with massive ramifications for the country I live in.
I'm not endorsing GP's point, but the electoral college is massively important to legislation.
I think this is one of those cases where representative democracy diverges from democracy proper.
I doubt most people (who lack a financial incentive, unlike some politicians) will incline towards copyright extensions for companies.
I'm not sure this is actually true anywhere but Switzerland.
You only have a very weak negotiating power and only during the election campaign while copyright holders have very, very strong negotiation power (money) all the time. So they can change the law whenever and however they want to. Your "contract" with the lawmakers can change at any time regardless of your (or the majority's) wishes, which on the face of it is extremely undemocratic. So the "take them to court" strategy is doomed to fail but people are still correct to point out how unethical and immoral this is.
In the same vein, piracy may be illegal but sometimes it just balances out this immorality and lack of ethics of copyright holders and lawmakers. If we follow the same reasoning, if a pirate is not taken to court then it wasn't illegal.
This is exactly why "democracy" and "capitalism" are impossible to fully exist side by side. Capitalism rules necessarily destroy democracy because its basis is the accumulation of money and power by a few. On the other hand, perfect democracy will give people the power to remove the money privilege of the few through taxes and policies (the founding founders already knew this). The idea that we have democracy in a capitalist system is the peak of stupidity, because people are deceiving themselves about being free, when in fact they're just doing the bidding of the super rich.
So capitalism in practice compared to a perfect democracy where the powerful few handle their power without becoming corrupt? Well obviously the theoretical system wins here, but it sidesteps the biggest problem that people do not handle power well.
I believe op is referring to the deal between the copyright holder and the public - the public grants exclusive use of the content to encourage creativity, in exchange, the work will eventually become public. In extending the duration a work is protected, the deal is being modified.
Retroactive copyright extensions
It is kind of amazing how IP holders could pull this off. One of the foundations of law that you cannot make retroactive changes.
This is only a foundation in US law and even then only for criminal law.
Not only US. There are many other countries that forbid retroactive laws.
That foundation isn't particularly strong: https://en.wikipedia.org/wiki/Ex_post_facto_law
When your property is representative of so many as Disney’s are due to shared exposure, it is hard to defend centralized control.
Can you elaborate?
In Mexico you cannot have that, as the constitution says that no right that you had can be taken from you retroactively.
The problem is the Mexico is the most strict country (by law) in copyright terms, which is dead of last author plus 150 years and there is no fair use.
I'm interested in how this would work in New Zealand. Could I publish a version of The Hobbit on amazon.co.nz? Would this be perfectly legal? If I instead published it on my own New Zealand based blog, maybe even hosted on a data center in NZ, but with no attempt to geo-fence it would that cause issues?
The real interesting question is: what does this mean for our hobbit based tourism industry? What angle can someone take to make a buck now?
Special edition hand printed and bound in the Shire (aka Matamata)? Sell it to people coming off of the Hobbiton tour.
If you don't reference the Jackson movies, can you sell those tourists a One Ring or a Sting without paying for licensing?
That is indeed an interesting question. Presumably if you reimagined those things, without reference to the imagery in the movies, that would be completely legitimate right?
Countries that block pirate sites, like the UK, could block your site. They might also put political pressure on New Zealand to force you to manage the geofencing yourself.
If you just post it to a NZ Gutenberg branch I doubt anyone would come for you. The Canadian Gutenberg project has lots of stuff that is only public domain there, and in places like NZ. It is not geofenced.
Disney now uses that 'steamboat willie' intro clip at the start of most of their stuff.
Are they trying to use it as a trademark, and therefore use trademark law rather than copyright law to stop people using steamboat Willie publicly?
The Mickey Mouse head is literally the logo of the Disney corporation, it is and it will remain their trademark in perpetuity(or for as long as Disney exists).
Trademarks are different than copyright - you can't start a company and use Mickey mouse as your logo for instance, because then the trademark law would kick in. But you can still make your own story/cartoon/film with Mickey Mouse the character and it should be fine.
Only the steamboat Willie version, the one without gloves .
Also practically it doesn’t matter whether it could be fine, most businesses can’t afford to fight an extended legal battle with Disney
Mickey's so high profile that I bet someone out there would be more than happy to go to court with Disney over this. I mean if you have money and lawyers, then this is a sure way to turn them into publicity, especially if you win.
John Oliver started baiting them a while back... https://www.vanityfair.com/hollywood/2023/04/john-oliver-dar....
And nothing happened, right?
Parody has a much lower bar to hop over. Disney isn’t suing people over mouse rule 34 either (at least not that I’m aware of).
Someone, in one of these threads a few weeks ago, posted what was claimed to be a movie poster/ad from the same year with his red pants and gloves:
https://www.thehistoryblog.com/archives/22084
If you could verify the timing on that I guess it would go into public domain as well.
You can see gloves in Steamboat Willie’s outro too, on both Mickey and Minnie.
You don't have to wait until the end. They're also in the title card. In other words, he's got gloves on in his very first appearance.
Came here to mention this. That poster is a full color Mickcy with gloves from 1928, and I would love to hear from a copyright lawyer if this Mickcy is also in the public domain.
However if you advertise it in any way using Disney’s trademark expect to be sued and spend millions defending, even if you wouldn’t eventually be found to be infringing (which you won’t because you’ll run out of money long before that question gets in front of a judge or jury).
I don't really have a problem with Disney Corporation using Mickey Mouse as their logo, Trademark, and otherwise as an identifying characteristic - So long as I can distribute the works that have fallen out of their exclusive use period, and create new works that don't pretend to be related in authorship. Mickey Mouse as a trademark makes sense - Mickey Mouse as a weird exclusively distributed hole in public consciousness, where most anyone who's paying attention can point to the nearly-century-old origin but not offer it up for critical discussion - That's where it got weird.
Everyone should know Mickey Mouse. Everyone should be able to see the original Mickey Mouse cartoons, as authored by Walt and Ub. Everyone should also be able to comment on and redistribute their commentary on such, original cartoon included in full. Now they can.
Trademark law only stops someone else using the character to represent themselves as Disney, or where is might cause confusion around that. A simple prominent disclaimer can fix that.
That's assuming Disney could ever register the trademark, which is not a given, no matter how often they use it.
The question would be, do you want to fight Disney lawyers to make the argument that your use was not as a trademark, represented as Disney, or that it might cause confusion? With or without a disclaimer.
There is no DMCA analogue for trademarks, so, for example, YouTube has no obligation to automate trademark complaints or to resolve disputes between trademark owners and video creators, so almost every case will go through the court, and overloading courts with bogus cases can have consequences for them.
DMCA doesn't require automation for copyright takedown requests. You can use a PO box in Guam if you like.
YouTube technically has no obligation to comply with DMCA takedown notices either; there is no direct financial penalty for failing to do so. Rather, the DMCA provides a "safe harbor" exempting YouTube from liability for infringement, then removes that safe harbor if they fail to comply with a takedown notice.
For trademarks, there simply is no safe harbor, and thus no conditions under which it can be removed. That means there isn't a codified process for YouTube to follow; but the stick they can be beaten with at the end of the day -- infringement litigation -- is the same in either case. You can bet they'll do what they can do avoid it.
You can be sure YouTube will make BrandID, this time to satisfy jurisdictions without nominative use of trademarks, such as Turkey.
If you want to make a logo that has the likeness, then you may have a point.
If you're making a work derivative of Steamboat Willy then Disney has no basis to sue you, regardless of what trademarks they claim.
I'm picking up on a lot of undertones in these comments and elsewhere something like an argument that while it may not technically be copyright infringement in 2024 onward, it will remain de facto off-limits simply from the threat of having to deal with lawsuits from Disney, no matter whether they're actually well-founded. What's missing from that argument is an acknowledgement that there are organizations for the public good that are more than willing to litigate over this (and happen to be bigger targets, too). Wikimedia, for example.
A simple prominent disclaimer can fix that.
Disney can and will allege that the disclaimer fails to prevent confusion and take you to court regardless. And then you have a legal battle to prove that it does “fix that.” A legal battle that will cost you millions of dollars and years of your life, neither of which you will get back even if you win.
Probably, at least for cases where ‘the public’ won’t see it as them being aggressive if they go after use of the image.
FTA: “He believes Disney's active use of the trademarked versions in Steamboat Willie merchandise, new animated shorts, and even a studios theatrical logo, is "Disney's way of safeguarding the characters if they want to go the legal route in any egregious use of the characters".”
That attempt would be a little funny and desperate. It reminds me of apple's ham-fisted approach to thwart third party repair shops.
https://repair.eu/news/apple-uses-trademark-law-to-strengthe...
“US copyright law says the rights to characters can be held for 95 years.”
95 years ago was also about when the cinema and recording industries began.
Since then, I’ll argue, all recorded entertainment and theatrical performances have become “fixed” into our culture similar to how Plato, the Bible, and Shakespeare became cultural touchstones due to literacy and the printing press.
And now, as they enter the public domain, Mickey and others are becoming, for better or worse, an inescapable part of our common heritage.
Is Mickey content good enough that we'll see continued interest? My encounters with Mickey (35 year old American) have been only through the movie Fantasia and I know he is a prominent mascot of Disney World. But the pull to Disney world is probably what, Star Wars or Pixar these days? I was recently thinking Star Wars and the Friends TV series could reach that permanent status. Mickey seems unlikely to me.
Mickey's a big one targeted at little kids. His clubhouse, funhouse, roadster racers, etc. are very popular with that demo, I assure you.
Huh, I have two young children. No idea what those are. We use Disney Plus almost exclusively for Bluey and Frozen. Is that also Disney Plus?
Stay away if possible, especially clubhouse which does the "the characters talk to the child and ask them questions" thing that I personally hate. But yes, at least in the US they're all on plus.
Those shows aren’t very good to say the least compared to Bluey.
I’m assuming you don’t have kids? Little kids love Mickey Mouse and there’s lots of old and new content featuring him. Little kids still dream of going to Disney World to meet Mickey Mouse and the other characters.
Two kids 5 and 7. Where are you finding the content? I don't think it aired when I was a kid, and I don't think it's on Disney Plus.
I was never into Mickey as a child. I saw him as out of date even back in the 80s and 90s.
I think Disney stopped developing a lot of new content using Mickey because they knew he was going into the public domain and the ROI would not be as good as using new characters.
In the past few months I personally haven given Disney hundreds of dollars for Mickey branded merchandise due to my 3 year old's love of Mickey. Mickey stuffed toys, bed sheets, water bottles, clothes, pull ups, etc. In fact, I just turned off the TV, which was just playing Mickey Mouse Clubhouse on Disney+.
My kid was obsessed with the 1930s Disney cartoons, including the black and white Mickeys, from age 2 to 5.
Mickey Mouse is quite literally Disney’s mascot. The same Disney with global theme park locations. It’s clear that Disney has far more prominence than Star Wars and friends combined. Hell they even own Star Wars now.
If you asked any random person on the street, chances are they know who Mickey Mouse is. It doesn’t really matter what “content” is made with him. Disney can just keep pumping out cheap CGI kids shows for brand recognition alone and Mickey would last for at least another generation.
This, to me, is a good reason for things to lose copyright sooner.
There are few people alive today who would remember when steamboat Willy was released. Culture is currently tied up in copyright long enough that things will mostly be forgotten long before they enter the public domain. Effectively lost. This is surely not desirable.
Plato, the Bible, and Shakespeare > inescapable part of our common heritage
Indeed, but how?
The three circles of Mickey Mouse is the semiotic emblem for everything that is shallow, plastic, maudlin and sentimental, self-obsessed, cynically capitalistic and exploitative.
In British (army and construction worker culture) the phrase "Mickey Mouse" is used for anything that's an ineffectual toy or poorly manufactured.
There are almost no positive connotations of Disney I can think of outside the cohort of 5 - 10 yo girls. To call something "Disney" is to mock it. YMMV in the USA.
Many adults of a certain age will have very happy childhood memories of watching classic disney movies such as jungle book, cinderella, toy story, Lion King. Most creative companies would love to have the kind of love that disneys back catalog has. Alas this love does mean the easy ability to sell plastic toys for every film.
My own partner and daughter are huge on Disney. Wow, I think I might actually be a bit too mulling over my top 100 films. So yeah, my own comment stings a bit and I appreciate the love out there.
Guess my point is, sure and there's also this really massive negative sentiment out there attached to the corporate symbol - namely "Micky Mouse" who is semantically fused with Disney. Corporate symbols seem ripe for psychological splitting.
Toy Story and Lion King are classics now? Damn, I’m old.
There are almost no positive connotations of Disney I can think of outside the cohort of 5 - 10 yo girls. To call something "Disney" is to mock it. YMMV in the USA.
Disney stuff isn't my cup of tea either, but that doesn't mean it isn't very popular around the world.
When we look at the financials of Disney Theme Parks and Experiences, for example, they report strong booking worldwide with reported revenue for the fourth quarter at $8.2 billion, up 13% from last year. Operating Income at $1.8 billion, up 31% from the previous year. Source: https://skift.com/2023/11/08/disney-theme-parks-focused-on-t...
Also Wikimedia Commons' Media of the Day: https://commons.wikimedia.org/wiki/Main_Page
https://commons.wikimedia.org/wiki/File:Steamboat_Willie_(19...
There's WebM, VP9 in various resolutions, and... MJPEG ?
Setting aside the oddity of serving a 95-year-old cartoon in full HD, that's still an odd selection of codecs. Everything up to MPEG-4 ASP (XviD etc.) has already been patent-expired. There's also MP3 there, so why not an MPEG-2 (H.262), MPEG-1, or even H.261 encode?
Because despite Wikipedia and sister projects being one of the largest web property, it is running on a thin budget and has starved engineering resources. As far as I know, the transcode code is maintained by a single employee (possibly as a side gig / on top of everything else) and the assistance of a volunteer.
For Motion JPEG a recent config change ( https://gerrit.wikimedia.org/r/c/operations/mediawiki-config... ) indicates:
Recent versions of iOS can play back suitably packaged VP9 video and Opus or MP3 audio, with a Motion-JPEG low-res fallback for older devices.
So I guess it is there for back compatibility :)
Why though ? They spend $160M a year [1] and grew their cash reserves by 50% year on year in 2023, so not particularly running in an operating deficit environment.
Transcoding is expensive but not that much, if my company doesn’t make 1/20 of Wikipedia and we can afford to do 1000s of hours a day of transcoding surely they can too.
[1] https://wikimediafoundation.org/wp-content/uploads/2023/11/W...
Because in the end every organization is vulnerable to being eaten from the inside and worn as a skinsuit by parasites. Especially charities.
Why would they spend money on improvements to the site when they could spend money on other things instead?
it is the easiest line item to spend on .
Wikipedia has one of the best SRE teams, they were pretty transparent too, a lot of the communication was on IRC channels you could see, at least that was the case few years back.
Running the top 5 website in the world is no joke especially as a non-profit and they do it well. They haven’t had any down time or major incident in the last decade which is pretty impressive.
I would think their SRE team is not just good but also very motivated in the mission otherwise they would leave for much higher paying jobs, infra jobs are very lucrative if you have prior experience at more scale not much more scale than Wikipedia .
It's not about the cost of transcoding; it's an ideological stance about open / royalty-free formats.
e.g. there was a pretty strong consensus about not supporting MP4 back when the WMF asked whether it should be allowed, mostly on "it's not free" grounds: https://commons.wikimedia.org/wiki/Commons:Requests_for_comm...
MPEG-2 or even MPEG-4 ASP seems like a better choice for back-compat.
The problem is not resources. It is an ideological choice. Wikimedia Commons only supports non-proprietary file formats. That means either open formats or formats whose patents have expired. (MPEG-4 Part 2 patents only expired in the US a few weeks ago.)
Why is it odd? The original is analogue. What resolution should it be scanned at? What about the Mona Lisa?
People often think that old video must be stuck to standard definition (or worse), because they're used to seeing it on NTSC/PAL broadcasts, VHS, or DVD.
The reality is, these things were captured on film, and there's no reason you can't scan the film in high definition resolutions. Film is an analogue medium whose upper bound for resolution is dictated by the film stock and grain; 35mm film is sufficient to produce modern 4K scans and was one of the most common stocks in analogue video production.
If anything, modern 1080p/2160p scans of old film bring the material much closer to how people with projectors originally saw the media, instead of a blurry scaled down version made for old television.
If I may provide my favorite example, check out Wizard of Oz in 4K. It's from 1939, in full color, and holds up wonderfully well. The 4K transfer allows you to really appreciate the set design and makeup especially.
A particular bugbear of mine is when black and white films get scanned and the process somehow introduces a bunch of moiré colour fringes into the digital copy. This feels like something that shouldn't be hard to get right.
I think I've noticed this most with SD NTSC and DVD MPEG2 transfers of B&W film. It's much less of a problem with HD Blu-ray versions.
Thanks for mentioning Oz, that 4K is really good. Hopefully more films get that treatment.
Naked News was yesterday’s…
There's apparently a poster of Mickcy wearing gloves in full color from the same year Steamboat Willie came out (1928).
Does this mean that full color gloved Mickcy is also in the public domain?
https://www.huffpost.com/entry/mickey-mouse-poster_n_2149610
Disney has modern Mickey wrapped up in trademarks. It will be very interesting watching what Disney does when inevitably derivative works stray from steamboat Willie and approach the appearance of modern mickey.
Disney has been preparing for this day.
Seems like an awfully dangerous game to play imo.
Isn't that the point? Disney counts on having more $$$ and more lawyers than some random artist who might or might not have intruded on the remaining copyrights? So they can bully the artist into submission regardless of whether they are right or not.
They can do so, for minimal gain. And it’s possible they’ll lose despite $$$ which would be worse than having done nothing.
The legal metagame around intellectual property has little to do with law as written and much to do with burying your opponent in spurious motions until they run out of money to defend. Odds are good Disney wins that fight against most comers.
Is this really in the same year? Wiki shows a black/white poster with the mouse wearing light gloves, then later in the article a color version from 1978.
Definitely seems to be from 1928: https://movieposters.ha.com/itm/movie-posters/animation/mick...
The estimated value of $20K seems low, unless it's in poor condition and/or there are many other copies around. Google says the same auction house sold one for $100K in 2012:
Only the Steamboat Willie Mickey enters the public domain if I remember correctly.
Any derivative works that lack sufficient creativity on their own also enter the public domain.
It’s an interesting question where exactly that line is.
It's probably not this far, DALL-E / GPT4 has some issues....
The claim that this looks like modern mickey mouse is wild to me.
Looks more like Mighty Mouse https://en.m.wikipedia.org/wiki/Mighty_Mouse
This tweet seems like a fairly lazy combination of the recent ChatGPT copyright discussion with the Disney one.
Doing a side by side. MM doesn't have visible front teeth, his ears are smaller and fully black, the silhouette is different. But the shape of the face and features, including where the shape of the black fur decends (at the widows peak?), the eyebrows, the eyes with white, all look quite similar. To me it's much closer to a modern Mickey than the original flat black and white.
This means Minnie Mouse enters the public domain as well, and if some of the promotional material for the animation is included as well, could also include the red-and-yellow colour version of Mickey.
OG Winnie the Pooh is public, but his iconic Red Vest version is still under copyright.
https://www.romanolaw.com/winnie-the-pooh-blood-and-honey-is...
But tigger has now entered the public domain.
The Wonderful thing about Tiggers
Is Tiggers are wonderful things
Tops are made out of rubber
Their bottoms are made out of springs
Their bouncey, trouncey, ouncey, pouncey
Fun, fun, fun, fun, fun
But the most wonderful thing about Tiggers
Is I'm the only one!
This is a silly question, but when exactly did Mickey Mouse enter the public domain? On January 1, sure, but which time zone?
On whatever local time where you are (at least for US). The "at least in US" is important since that most people who didn't clarify that "Steamboat Willie" is in the public domain specifically in reference to US laws - in other countries it is either already PD, or in a handful countries like Mexico (which has author+100, technically no concept of corporate copyright except for the government) is still not PD.
Does that mean that I can publish a Mickey video in New York that's illegal to watch in California for the next couple of hours?
Neat.
It's ironic that a cartoon that depicts musical improvisation is such a symbol of passively consumed culture.
It's ironic that a cartoon that depicts musical improvisation is such a symbol of passively consumed culture.
I don't know that I would describe it as ironic. Throughout the ages, the entertainment that people enjoyed in their various cultures depicted all sorts of active things (including playing music, painting, killing the bad guy, etc.) while the audience sat back and enjoyed it passively (mostly; they laughed, got frightened, talked to each other, etc.).
Even architecture was developed to create the space for performance/audience. https://www.worldhistory.org/article/895/greek-theatre-archi...
The BBC has Disney as the owners of the snapshot they use. It's a nice thing to do. But is it still correct? Are Disney still the owner's but the image is now public domain?
It's a credit to the image's source, which is unrelated to ownership. They credit Getty Images for some public domain imagery as well: that is where they got the image from.
Weinzierl's throwing a reality check about how works like Mickey Mouse can get yanked back from public domain – it's like a copyright yo-yo. Mod50ack chimes in, saying the U.S. isn't too keen on extending copyrights anymore, thanks to the Berne Convention's rules. And est31? They remind us that the U.S. plays by its own rules when domestic interests are at stake, even in the world of copyrights. It's like a tug-of-war where both sides have some pretty heavy hitters.
This reads like a summary of the posts below. Is this from an LLM, or did a person write it?
Cuphead should absolutely add a Mickey Mouse DLC.
Corridor posted the original cartoon a couple hours ago: https://m.youtube.com/watch?v=hmzO--ox7X0
before cheering, the trademark is still not public domain and that is probably how Disney will control the work going forward
Mickey used as a trademark to identify a brand is still protected.
If the title is going to be edited from the original. The "enter" here should become "enters"
And about time, too!
might have to write a mousy ttrpg real quick like and put it up on driverhru
Related/Dupe discussion:
Related discussions from yesterday and earlier:
Mickey, Disney, and the public domain: A 95-year love triangle
Public Domain Day 2024 Is Coming: Here's What to Know
Etc
The United States is decidedly not going to extend copyright terms. The US only very reluctantly pulled works out of the public domain after it joined the Berne Convention in 1989. The reason ''Metropolis'' was in the public domain was because it failed to comply with renewal formalities, which are prohibited by Berne. Essentially, other countries threatened trade deals if the US made terms dependent on formalities for non-US works. So the law was changed and copyrights were restored.
As someone who works in the field (and who isn't a fan of the URAA), I can tell you that isn't going to happen again.
What's your read on what's going to happen with AI?
Will companies be allowed to train on copyrighted works? Seems like we'll fall behind international competition or supercharge monopolies if we don't allow it.
Japan and China permit training on copyrighted works. China goes a step further and allows AI outputs to be copyrighted.
Really interested in what insiders think or know about this.
Well, to be clear, I am mainly a public domain and copyright theory guy. I do keep up to date with everything here. But I also don't write laws; if I did, they would look different.
Companies are allowed to train on copyrighted works - or, to be more precise, there is no prohibition in copyright law on them doing so. On the other hand, there are no particular protections.
The real question is to what extent an AI generator can return its copyrighted training data as a non-de minimis output. In other words, can I get one of the existing copyrighted works by putting in a prompt? This is something that AI developers are trying to avoid, but it's actuallg a pretty tricky problem.
Allowing AI output to be copyrighted is one of the worst ideas in copyright. Thankfully, the US Constitution as interpreted by the courts only allows for copyright to inhere in works of human creativity.
By the way, while I'm very excited about certain "AI" things, I have a very poor opinion of the merit of generative AI — and I mean in theory we well as how it stands today.
What would your ideal copyright regime look like?
Mine would be different than what we have now, it'd be 20 years or artists lifetime, whichever is shorter - then 10 year long renewals are possible after that, but the cost of the renewal would ratchet up with each renewal.
I've also considered using a percentage of revenue for the work - basically a tax on the revenue from that work, as a condition for the right of monopoly on it - which would also ratchet upwards with each renewal.
I'd also consider a use it or lose it strategy for copyright like trademark, meaning if you are not making the work available for purchase/license within the copyright renewal period, for reasonable terms, you lose the ability to renew it.
Mine is mostly designed to deal with orphaned works, ensuring they enter public domain in a predictable way, I think the biggest issue with our existing copyright system isn't enriching Disney - they're still putting those works out there, making them available - its all the works being lost to the sands of time.
Disney regularly censors or modifies classic films in its catalog, and also simply pulls things out of production. If you want to read more, look up the Disney Vault strategy.
I'm well aware of Disney's business strategy. I don't care if they make their millions still.
I care much more about all the works that cannot find an audience because of uncertain copyright status, and not enough commercial demand to justify figuring out who 'owns' it.
I’m curious what you mean by this. If I’m not allowed under copyright law to make a personal copy of the latest Pixar movie or watch it without permission or payment, even if I’m not sharing it with anyone else, what under the law allows a company to make a copy and train on it? I thought I understood copyright law to not only prohibit redistribution of copyrighted works without permission, but also to prohibit consumption of copyrighted works without permission? Is that accurate? In that sense, I would have thought copyright law does prohibit companies from training on copyrighted works.
You’re hitting on the distinction between duplication and training.
I own hundreds of paperback books. Copyright law does not limit what I can learn from them.
It may be that assembling a corpus for training is illegal, but if so, that would be true even if it was never used for training. The act of training an AI is orthogonal to the collection of the corpus.
What does that mean, in more specific language?
If I create a poster in Photoshop, it is under copyright? What about if I use a smart fill plugin? What about if I use a prompt plugin?
“Find me a prompt to generate this image,” seems like an interesting problem to toss at an AI, I wonder if anyone knows of work in that direction?
Hypothetically if such a system existed where you passed in a copyright image, and then got a prompt to generate it, would that be sufficient to show some kind infringement?
The USA often ignores the international community in many things, if the right domestic interest groups are behind it. It's just that currently the USA has powerful domestic companies/interests that are against copyright term extensions, which are more powerful than the (also quite powerful) companies in favour of term extensions.
In the past decade, the USA also has tried to spread the new extended period over the world via trade treaties, of life plus 70 years, going beyond Berne's life plus 50 years.
What are the powerful domestic companies/interests who are against the copyright terms? I always viewed copyright extensions as being good for the masses but bad for corporations (the copyright holders)
I have a hard time to find cases when it's true in the context of media content.
Ignoring the international community is one thing, trade deals are another thing entirely. That's taken very seriously by all involved because it's about money.
Congress should have grown a spine and called their bluff rather than sell out the American public like that.
The American public also likes being able to buy imports.
You’re talking about the Sonny Bono Copyright Term Extension Act aka the Mickey Mouse Protection Act?
Claiming that was due to foreign pressure was just scapegoating / misdirection from its supporters.
The US forced all sorts of copyright extensions on the international community back then (including DMCA-style DRM protections).
The support section of the Wikipedia page lists the main lobbyists for the bill. They are all US based, and Disney started lobbying for it in 1990 (the year after the US was brought into compliance with the Berne convention).
https://en.m.wikipedia.org/wiki/Copyright_Term_Extension_Act
I'd rather Congress adhere to the agreements they made.
I think the biggest Rubicon for Disney coming up will be losing Snow White in 2032, assuming no renewal.
Snow White the character was in the public domain long before disney made the movie.
Well they did extend terms in 1998 but I agree the retroactive part is unlikely as is another extension.
Uruguay Round Agreements Act?
This intrigues me as I had no idea, at one time, that the US didn't have the most restrictive copyright laws in the world. It looks like the US had to restore/extend copyrights to foreign works as part of the agreement that established the WTO?
That being said, copyright is a product of laws and laws can always change. Your comment made me believe that the copyright owner somehow extended their rights; not a literal act of Congress.
Read up on the history of Hollywood! It's deeply intertwined with the history of copyright.
Initially (19th century) the US did not recognise copyright of foreign works.
This is all about interests: when you are a net importer you want to make it easy and cheap to reproduce and use works. Buy once you start being an exporter you want your works protected, and that's a quid pro quo.
What happens is that lobbyists for the same (copyright) interest groups instructs their governments that extended copyright is in their interest, and that whoever have the longest should “win” and become the norm.
WTOs are basically big business “negotiating” with itself through nation states.
The copyright owners persuaded other countries to make copyright very long, then persuaded the USA to fall in line with other countries.
Just curious...why would anyone here cheer? Have HNers been desperate to launch their own Mickey Mouse novelty tee Etsy stores for years?
It's not about Mickey specifically, but rather about what it represents.
The entry of new works into the commons was shut down for a long time, with Disney keeping Mickey under copyright being viewed as the main driver for the lobbying that's kept it closed. We're coming off of two sequential 20-year extensions, and got our first works entering the public domain in the US in 2019, at which point there was a clear deadline for Disney to either get copyright extended again or cede the point.
So Mickey starting to creep into the public domain means the commons probably won't be closed again, since nobody else has as much interest in pushing that as Disney did.
I'd be interested in hearing why that isn't tortious interference, or did the government pay out a bunch of money when it became copywritten again?